Archive for the ‘amateur’ Category

Unevenly Distributed:
Production Models for the 21st Century

Thursday, January 31st, 2008

I. The Wheels Fall Off the Cart

In mid-1994, sometime shortly after Tony Parisi and I had fused the new technology of the World Wide Web to a 3D visualization engine, to create VRML, we paid a visit to the University of Santa Cruz, about 120 kilometers south of San Francisco. Two UCSC students wanted to pitch us on their own web media project. The Internet Underground Music Archive, or IUMA, featured a simple directory of artists, complete with links to MP3 files of these artists’ recordings. (Before I go any further, I should state that they had all the necessary clearances to put musical works up onto the Web – IUMA was not violating anyone’s copyrights.) The idea behind IUMA was simple enough, the technology absolutely straightforward – and yet, for all that, it was utterly revolutionary. Anyone, anywhere could surf over to the IUMA site, pick an artist, then download a track and play it.

This was in the days before broadband, so downloading a multi-megabyte MP3 recording could take upwards of an hour per track – something that seems ridiculous today, but was still so potent back in 1994 that IUMA immediately became one of the most popular sites on the still-quite-tiny Web. The founders of IUMA – Rob Lord and Jon Luini – wanted to create a place where unsigned or non-commercial musicians could share their music with the public in order to reach a larger audience, gain recognition, and perhaps even end up with a recording deal. IUMA was always better as a proof-of-concept than as a business opportunity, but the founders did get venture capital, and tried to make a go of selling music online. However, given the relative obscurity of the musicians on IUMA, and the pre-iPod lack of pervasive MP3 players, IUMA ran through its money by 2001, shuttering during the dot-com implosion of the same year. Despite that, every music site which followed IUMA, legal and otherwise, from Napster to Rhapsody to iTunes, has walked in its footsteps. Now, nearing the end of the first decade of the 21st century, we have a broadband infrastructure capable of delivery MP3s, and several hundred million devices which can play them. IUMA was a good idea, but five years too early.

Just forty-eight hours ago, a new music service, calling itself Qtrax, aborted its international launch – though it promises to be up “real soon now.” Qtrax also promises that anyone, anywhere will be able to download any of its twenty-five million songs perfectly legally, and listen to them practically anywhere they like – along with an inserted advertisement. Using peer-to-peer networking to relieve the burden on its own servers, and Digital Rights Management, or DRM, Qtrax ensures that there are no abuses of these pseudo-free recordings.

Most of the words that I used to describe Qtrax in the preceding paragraph didn’t exist in common usage when IUMA disappeared from the scene in the first year of this millennium. The years between IUMA and Qtrax are a geological age in Internet time, so it’s a good idea to walk back through that era and have a good look at the fossils which speak to how we evolved to where we are today.

In 1999, a curly-haired undergraduate at Boston’s Northeastern University built a piece of software that allowed him to share his MP3 collection with a few of his friends on campus, and allowed him access to their MP3s. This scanned the MP3s on each hard drive, publishing the list to a shared database, allowing each person using the software to download the MP3 from someone else’s hard drive to his own. This is simple enough, technically, but Shawn Fanning’s Napster created a dual-headed revolution. First, it was the killer app for broadband: using Napster on a dial-up connection was essentially impossible. Second, it completely ignored the established systems of distribution used for recorded music.

This second point is the one which has the most relevance to my talk this morning; Napster had an entirely unpredicted effect on the distribution methodologies which had been the bedrock of the recording industry for the past hundred years. The music industry grew up around the licensing, distribution and sale of a physical medium – a piano roll, a wax recording, a vinyl disk, a digital compact disc. However, when the recording industry made the transition to CDs in the 1980s (and reaped windfall profits as the public purchased new copies of older recordings) they also signed their own death warrants. Digital recordings are entirely ephemeral, composed only of mathematics, not of matter. Any system which transmitted the mathematics would suffice for the distribution of music, and the compact disc met this need only until computers were powerful enough to play the more compact MP3 format, and broadband connections were fast enough to allow these smaller files to be transmitted quickly. Napster leveraged both of these criteria – the mathematical nature of digitally-encoded music and the prevalence of broadband connections on America’s college campuses – to produce a sensation.

In its earliest days, Napster reflected the tastes of its college-age users, but, as word got out, the collection of tracks available through Napster grew more varied and more interesting. Many individuals took recordings that were only available on vinyl, and digitally recorded them specifically to post them on Napster. Napster quickly had a more complete selection of recordings than all but the most comprehensive music stores. This only attracted more users to Napster, who added more oddities from their on collections, which attracted more users, and so on, until Napster became seen as the authoritative source for recorded music.

Given that all of this “file-sharing”, as it was termed, happened outside of the economic systems of distribution established by the recording industry, it was taking money out of their pockets – probably something greater than billions of dollars a year was lost, if all of these downloads had been converted into sales. (Studies indicate this was unlikely – college students have ever been poor.) The recording industry launched a massive lawsuit against Napster in 2000, forcing the service to shutter in 2001, just as it reached an incredible peak of 14 million simultaneous users, out of a worldwide broadband population of probably only 100 million. This means that one in seven computers connected to the broadband internet were using Napster just as it was being shut down.

Here’s where it gets more interesting: the recording industry thought they’d brought the horse back into the barn. What they hadn’t realized was that the gate had burnt down. The millions of Napster users had their appetites whet by a world where an incredible variety of music was instantaneously available with few clicks of the mouse. In the absence of Napster, that pressure remained, and it only took a few weeks for a few enterprising engineers to create a successor to Napster, known as Gnutella, which provided the same service as Napster, but used a profoundly different technology for its filesharing. Where Napster had all of its users register their tracks within a centralized database (which disappeared when Napster was shut down) Gnutella created a vast, amorphous, distributed database, spread out across all of the computers running Guntella. Gnutella had no center to strike at, and therefore could not be shut down.

It is because of the actions of the recording industry that Gnutella was developed. If legal pressure hadn’t driven Napster out of business, Gnutella would not have been necessary. The recording industry turned out to be its own worst enemy, because it turned a potentially profitable relationship with its customers into an ever-escalating arms race of file-sharing tools, lawsuits, and public relations nightmares.

Once Gnutella and its descendants – Kazaa, Limewire, and Acquisition – arrived on the scene, the listening public had wholly taken control of the distribution of recorded music. Every attempt to shut down these ever-more-invisible “darknets” has ended in failure and only spurred the continued growth of these networks. Now, with Qtrax, the recording industry is seeking to make an accommodation with an audience which expects music to be both free and freely available, falling back on advertising revenue source to recover some of their production costs.

At first, it seemed that filmic media would be immune from the disruptions that have plagued the recording industry – films and TV shows, even when heavily compressed, are very large files, on the order of hundreds of millions of bytes of data. Systems like Gnutella, which allow you to transfer a file directly from one computer to another are not particularly well-suited to such large file transfers. In 2002, an unemployed programmer named Bram Cohen solved that problem definitively with the introduction of a new file-sharing system known as BitTorrent.

BitTorrent is a bit mysterious to most everyone not deeply involved in technology, so a brief of explanation will help to explain its inner workings. Suppose, for a moment, that I have a short film, just 1000 frames in length, digitally encoded on my hard drive. If I wanted to share this film with each of you via Gnutella, you’d have to wait in a queue as I served up the film, time and time again, to each of you. The last person in the queue would wait quite a long time. But if, instead, I gave the first ten frames of the film to the first person in the queue, and the second ten frames to the second person in the queue, and the third ten frames to the third person in the queue, and so on, until I’d handed out all thousand frames, all I need do at that point is tell each of you that each of your “peers” has the missing frames, and that you needed to get them from those peers. A flurry of transfers would result, as each peer picked up the pieces it needed to make a complete whole from other peers. From my point of view, I only had to transmit the film once – something I can do relatively quickly. From your point of view, none of you had to queue to get the film – because the pieces were scattered widely around, in little puzzle pieces, that you could gather together on your own.

That’s how BitTorrent works. It is both incredibly efficient and incredibly resilient – peers can come and go as they please, yet the total number of peers guaratees that somewhere out there is an entire copy of the film available at all times. And, even more perversely, the more people who want copies of my film, the easier it is for each successive person to get a copy of the film – because there are more peers to grab pieces from. This group of peers, known as a “swarm”, is the most efficient system yet developed for the distribution of digital media. In fact, a single, underpowered computer, on a single, underpowered broadband link can, via BitTorrent, create a swarm of peers. BitTorrent allows anyone, anywhere, distribute any large media file at essentially no cost.

It is estimated that upwards of 60% of all traffic on the Internet is composed of BitTorrent transfers. Much of this traffic is perfectly legitimate – software, such as the free Linux operating system, is distributed using BitTorrent. Still, it is well known that movies and television programmes are also distributed using BitTorrent, in violation of copyright. This became absolutely clear on the 14th of October 2004, when Sky Broadcasting in the UK premiered the first episode of Battlestar Galactica, Ron Moore’s dark re-imagining of the famous shlocky 1970s TV series. Because the American distributor, SciFi Channel, had chosen to hold off until January to broadcast the series, fans in the UK recorded the programmes and posted them to BitTorrent for American fans to download. Hundreds of thousands of copies of the episodes circulated in the United States – and conventional thinking would reckon that this would seriously impact the ratings of the show upon its US premiere. In fact, precisely the opposite happened: the show was so well written and produced that the word-of-mouth engendered by all this mass piracy created an enormous broadcast audience for the series, making it the most successful in SciFi Channel history.

In the age of BitTorrent, piracy is not necessarily a menace. The ability to “hyperdistribute” a programme – using BitTorrent to send a single copy of a programme to millions of people around the world efficiently and instantaneously – creates an environment where the more something is shared, the more valuable it becomes. This seems counterintuitive, but only in the context of systems of distribution which were part-and-parcel of the scarce exhibition outlets of theaters and broadcasters. Once everyone, everywhere had the capability to “tuning into” a BitTorrent broadcast, the economics of distribution were turned on their heads. The distribution gatekeepers, stripped of their power, whinge about piracy. But, as was the case with recorded music, the audience has simply asserted its control over distribution. This is not about piracy. This is about the audience getting whatever it wants, by any means necessary. They have the tools, they have the intent, and they have the power of numbers. It is foolishness to insist that the future will be substantially different from the world we see today. We can not change the behavior of the audience. Instead, we must all adapt to things as they are.

But things as the are have changed more than you might know. This is not the story of how piracy destroyed the film industry. This is the story how the audience became not just the distributors but the producers of their own content, and, in so doing, brought down the high walls which separate professionals from amateurs.

II. The Barbarian Hordes Storm the Walls

Without any doubt the most outstanding success of the second phase of the Web (known colloquially as “Web 2.0”) is the video-sharing site YouTube. Founded in early 2005, as of yesterday YouTube was the third most visited site on the entire Web, led only by Yahoo! and YouTube’s parent, Google. There are a lot of videos on YouTube. I’m not sure if anyone knows quite how many, but they easily number in the tens of millions, quite likely approaching a hundred million. Another hundred thousand videos are uploaded each day; YouTube grows by three million videos a month. That’s a lot of video, difficult even to contemplate. But an understanding of YouTube is essential for anyone in the film and television industries in the 21st century, because, in the most pure, absolute sense, YouTube is your competitor.

Let me unroll that statement a bit, because I don’t wish it to be taken as simply as it sounds. It’s not that YouTube is competing with you for dollars – it isn’t, at least not yet – but rather, it is competing for attention. Attention is the limiting factor for the audience; we are cashed up but time-poor. Yet, even as we’ve become so time-poor, the number of options for how we can spend that time entertaining ourselves has grown so grotesquely large as to be almost unfathomable. This is the real lesson of YouTube, the one I want you to consider in your deliberations today. In just the past three years we have gone from an essential scarcity of filmic media – presented through limited and highly regulated distribution channels – to a hyperabundance of viewing options.

This hyperabundance of choices, it was supposed until recently, would lead to a sort of “decision paralysis,” whereby the viewer would be so overwhelmed by the number of choices on offer that they would simply run back, terrified, to the highly regularized offerings of the old-school distribution channels. This has not happened; in fact, the opposite has occured: the audience is fragmenting, breaking up into ever-smaller “microaudiences”. It is these microaudiences that YouTube speaks directly to. The language of microaudiences is YouTube’s native tongue.

In order to illustrate the transformation that has completely overtaken us, let’s consider a hypothetical fifteen year-old boy, home after a day at school. He is multi-tasking: texting his friends, posting messages on Bebo, chatting away on IM, surfing the web, doing a bit of homework, and probably taking in some entertainment. That might be coming from a television, somewhere in the background, or it might be coming from the Web browser right in front of him. (Actually, it’s probably both simultaneously.) This teenager has a limited suite of selections available on the telly – even with satellite or cable, there won’t be more than a few hundred choices on offer, and he’s probably settled for something that, while not incredibly satisfying, is good enough to play in the background.

Meanwhile, on his laptop, he’s viewing a whole series of YouTube videos that he’s received from his friends; they’ve found these videos in their own wanderings, and immediately forwarded them along, knowing that he’ll enjoy them. He views them, and laughs, he forwards them along to other friends, who will laugh, and forward them along to other friends, and so on. Sharing is an essential quality of all of the media this fifteen year-old has ever known. In his eyes, if it can’t be shared, a piece of media loses most of its value. If it can’t be forwarded along, it’s broken.

For this fifteen year-old, the concept of a broadcast network no longer exists. Television programmes might be watched as they’re broadcast over the airwaves, but more likely they’re spooled off of a digital video recorder, or downloaded from the torrent and watched where and when he chooses. The broadcast network has been replaced by the social network of his friends, all of whom are constantly sharing the newest, coolest things with one another. The current hot item might be something that was created at great expense for a mass audience, but the relationship between a hot piece of media and its meaningfulness for a microaudience is purely coincidental. All the marketing dollars in the world can foster some brand awareness, but no amount of money will inspire that fifteen year old to forward something along – because his social standing hangs in the balance. If he passes along something lame, he’ll lose social standing with his peers. This factors into every decision he makes, from the brand of runners he wears, to the television series he chooses to watch. Because of the hyperabundance of media – something he takes as a given, not as an incredibly recent development – all of his media decisions are weighed against the values and tastes of his social network, rather than against a scarcity of choices.

This means that the true value of media in the 21st century is entirely personal, and based upon the salience, that is, the importance, of that media to the individual and that individual’s social network. The mass market, with its enforced scarcity, simply does not enter into his calculations. Yes, he might go to the theatre to see Transformers with his mates; but he’s just as likely to download a copy recorded in the movie theatre with an illegally smuggled-in camera that was uploaded to The Pirate Bay a few hours after its release.

That’s today. Now let’s project ourselves five years into the future. YouTube is still around, but now it has more than two hundred million videos (probably much more), all available, all the time, from short-form to full-length features, many of which are now available in high-definition. There’s so much “there” there that it is inconceivable that conventional media distribution mechanisms of exhibition and broadcast could compete. For this twenty year-old, every decision to spend some of his increasingly-valuable attention watching anything is measured against salience: “How important is this for me, right now?” When he weighs the latest episode of a TV series against some newly-made video that is meant only to appeal to a few thousand people – such as himself – that video will win, every time. It more completely satisfies him. As the number of videos on offer through YouTube and its competitors continues to grow, the number of salient choices grows ever larger. His social network, communicating now through FaceBook and MySpace and next-generation mobile handsets and iPods and goodness-knows-what-else is constantly delivering an ever-growing and increasingly-relevant suite of media options. He, as a vital node within his social network, is doing his best to give as good as he gets. His reputation depends on being “on the tip.”

When the barriers to media distribution collapsed in the post-Napster era, the exhibitors and broadcasters lost control of distribution. What no one had expected was that the professional producers would lose control of production. The difference between an amateur and a professional – in the media industries – has always centered on the point that the professional sells their work into distribution, while the amateur uses wits and will to self-distribute. Now that self-distribution is more effective than professional distribution, how do we distinguish between the professional and the amateur? This twenty year-old doesn’t know, and doesn’t care.

There is no conceivable way that the current systems of film and television production and distribution can survive in this environment. This is an uncomfortable truth, but it is the only truth on offer this morning. I’ve come to this conclusion slowly, because it seems to spell the death of a hundred year-old industry with many, many creative professionals. In this environment, television is already rediscovering its roots as a live medium, increasingly focusing on news, sport and “event” based programming, such as Pop Idol, where being there live is the essence of the experience. Broadcasting is uniquely designed to support the efficient distribution of live programming. Hollywood will continue to churn out blockbuster after blockbuster, seeking a warmed-over middle ground of thrills and chills which ensures that global receipts will cover the ever-increasing production costs. In this form, both industries will continue for some years to come, and will probably continue to generate nice profits. But the audience’s attentions have turned elsewhere. They’re not returning.

This future almost completely excludes “independent” production, a vague term which basically means any production which takes place outside of the media megacorporations (News Corp, Disney, Sony, Universal and TimeWarner), which increasingly dominate the mass media landscape. Outside of their corporate embrace, finding an audience sufficient to cover production and marketing costs has become increasingly difficult. Film and television have long been losing economic propositions (except for the most lucky), but they’re now becoming financially suicidal. National and regional funding bodies are growing increasingly intolerant of funding productions which can not find an audience; soon enough that pipeline will be cut off, despite the damage to national cultures. Australia funds the Film Finance Corporation and the Australian Film Council to the tune of a hundred million dollars a year, to ensure that Australian stories are told by Australian voices; but Australians don’t go to see them in the theatres, and don’t buy them on DVD.

The center can not hold. Instead, YouTube, which founder Steve Chen insists has “no gold standard” of production values, is rapidly becoming the vehicle for independent productions; productions which cost not millions of euros, but hundreds, and which make up for their low production values in salience and in overwhelming numbers. This tsunami of content can not be stopped or even slowed down; it has nothing to do with piracy (only nine percent of the videos viewed on YouTube are violations of copyright) but reflects the natural accommodation of the audience to an era of media hyperabundance.

What then, is to be done?

III. And The Penny Drops

It isn’t all bad news. But, like a good doctor, I want to give you the bad news right up front: There is no single, long-term solution for film or television production. No panacea. It’s not even entirely clear that the massive Hollywood studios will do business-as-usual for any length of time into the future. Just a decade ago the entire music recording industry seemed impregnable. Now it lies in ruins. To assume that history won’t repeat itself is more than willful ignorance of the facts; it’s bad business.

This means that the one-size-fits-all production-to-distribution model, which all of you have been taught as the orthodoxy of the media industries, is worse than useless; it’s actually blocking your progress because it is effectively keeping you from thinking outside the square. This is a wholly new world, one which is littered with golden opportunities for those able to avail themselves of them. We need to get you from where you are – bound to an obsolete production model – to where you need to be. Let me illustrate this transition with two examples.

In early 2005, producer Ronda Byrne got a production agreement with Channel NINE, then the number one Australian television network, to make a feature-length television programme about the “law of attraction”, an idea she’d learned of when reading a book published in 1910, The Science of Getting Rich. The interviews and other footage were shot in July and August, and after a few months in the editing suite, she showed the finished production to executives at Channel NINE, who declined to broadcast it, believing it lacked mass appeal. Since Byrne wasn’t going to be getting broadcast fees from Channel NINE to cover her production costs, she negotiated a new deal with NINE, allowing her to sell DVDs of the completed film.

At this point Byrne began spreading news of the film virally, through the communities she thought would be most interested in viewing it; specifically, spiritual and “New Age” communities. People excited by Byrne’s teaser marketing could pay $20 for a DVD copy of the film (with extended features), or pay $5 to watch a streaming version directly on their computer. As the film made its way to its intended audience, word-of-mouth caused business to mushroom overnight. The Secret became a blockbuster, selling millions of copies on DVD. A companion book, also titled The Secret, has sold over two million copies. And that arbiter of American popular taste, Oprah, has featured the film and book on her talk show, praising both to the skies. The film has earned back many, many times its production costs, making Byrne a wealthy woman. She’s already deep into the production of a sequel to The Secret – a film which already has an audience identified and targeted.

Chagrined, the television executives of Channel NINE finally did broadcast The Secret in February 2007. It didn’t do that well. This sums up the paradox distribution in the age of the microaudience. Clearly The Secret had a massive world-wide audience, but television wasn’t the most effective way to reach them, because this audience was actually a collection of microaudiences, rather than a single, aggregated audience. If The Secret had opened theatrically, it’s unlikely it would have done terribly well; it’s the kind of film that people want to watch more than once, being in equal parts a self-help handbook and a series of inspirational stories. It is well-suited for a direct-to-DVD release – a distribution vehicle that no longer has the stigma of “failure” associated with it. It is also well-suited to cross-media projects, such as books, conferences, streamed delivery, podcasts, and so forth. Having found her audience, Byrne has transformed The Secret into an exceptional money-making franchise, as lucrative, in its own way, and at its own scale, as any Hollywood franchise.

The second example is utterly different from The Secret, yet the fundamentals are strikingly similar. Just last month a production group calling themselves “The League of Peers” released a film titled Steal This Film, Part 2. The first part of this film, released in late 2006, dealt with the rise of file-sharing, and, in specific, with the legal troubles of the world’s largest BitTorrent site, Sweden’s The Pirate Bay. That film, although earnest and coherent, felt as though it was produced by individuals still learning the craft of filmmaking. This latest film feels looks as professional as any documentary created for BBC’s Horizon or PBS’s Frontline or ABC’s 4Corners. It is slick, well-lit, well-edited, and has a very compelling story to tell about the history of copying – beginning with the invention of the printing press, five hundred years ago. Steal This Film is a political production, a bit of propaganda with an bias. This, in itself, is not uncommon in a documentary. The funding and distribution model for this film is what makes it relatively unique.

Individuals who saw Steal This Film, Part One – which was made freely available for download via BitTorrent – were invited to contribute to the making of the sequel. Nearly five million people downloaded Steal This Film, Part One, so there was a substantial base of contributors to draw from. (I myself donated five dollars after viewing the film. If every viewer had done likewise that would cover the budget of a major Hollywood production!) The League of Peers also approached arts funding bodies, such as the British Documentary Council, with their completed film in hand, the statistics showing that their work reached a large audience, and a roadmap for the second film – this got them additional funding. Now, having released Steal This Film, Part Two, viewers are again invited to contribute (if they like the film), promised a “secret gift” for contributions of $15 or more. While the tip jar – literally, busking – may seem a very weird way to fund a film production, it’s likely that Steal This Film, Part Two will find an even wider audience than Part One, and that the coffers of the League of Peers will provide them with enough funds to embark on their next film, The Oil of the 21st Century, which will focus on the evolution of intellectual property into a traded commodity.

I have asked Screen Training Ireland to include a DVD of Steal This Film, Part Two with the materials you received this morning. You’ve been given the DVD version of the film, but I encourage you to download the other versions of the film: the XVID version, for playback on a PC; the iPod version, for portable devices; and the high-definition version, for your visual enjoyment. It’s proof positive that a viable economic model exists for film, even when it is given away. It will not work for all productions, but there is a global community of individuals who are intensely interested in factual works about copyright and intellectual property in the 21st century, who find these works salient, and who are underserved by the media megacorporations, who would not consider it in their own economic best interest to produce or distribute such works. The League of Peers, as part of the community whom this film is intended for, knew how to get the word out about the film (particularly through Boing Boing, the most popular blog in the world, with two million readers a week), and, within a few weeks, nearly everyone who should have heard of the film had heard about it – through their social networks.

Both The Secret and Steal This Film, Part Two are factual works, and it’s clear that this emerging distribution model – which relies on targeting communities of interest – works best with factual productions. One of the reasons that there has been such an upsurge in the production of factual works over the past few years is because these works have been able to build their own funding models upon a deep knowledge of the communities they are talking to – made by microaudiences, for microaudiences. But microaudiences, scaled to global proportions, can easily number in the millions. Microaudiences are perfectly willing to pay for something or contribute to something they consider of particular value and salience; it is a visible thank you, a form of social reinforcement which is very natural within social networks.

What about drama, comedy and animation? Short-form comedy and animation probably have the easiest go of it, because they can be delivered online with an advertising payload of some sort. Happy Tree Friends is a great example of how this works – but it took producers Mondo Media nearly a decade to stumble into a successful economic model. Feature-length comedy and feature-length drama are more difficult nuts to crack, but they are not impossible. Again, the key is to find the communities which will be most interested in the production; this is not always entirely obvious, but the filmmaker should have some idea of the target audience for their film. While in preproduction, these communities need to be wooed and seduced into believing that this film is meant just for them, that it is salient. Productions can be released through complementary distribution channels: a limited, occasional run in rented exhibition spaces (which can be “events”, created to promote and showcase the film); direct DVD sales (which are highly lucrative if the producer does this directly); online distribution vehicles such as iTunes Movie Store; and through “community” viewing, where a DVD is given to a few key members of the community in the hopes that word-of-mouth will spread in that community, generating further DVD sales.

None of this guarantees success, but it is the way things work for independent productions in the 21st-century. All of this is new territory. It isn’t a role that belongs neatly to the producer of the film, nor, in the absence of studio muscle, is it something that a film distributor would be competent at. This may not be the producer’s job. But it is someone’s job. Someone must do it. Starting at the earliest stages of pre-production, someone has to sit down with the creatives and the producer and ask the hard questions: “Who is this film intended for?” “What audiences will want to see this film – or see it more than once?” “How do we reach these audiences?” From these first questions, it should be possible to construct a marketing campaign which leverages microaudiences and social networks into ticket receipts and DVD sales and online purchases.

So, as you sit down to do your planning today, and discuss how to move Irish screen industries into the 21st century, ask yourselves who will be fulfilling this role. The producer is already overloaded, time-poor, and may not be particularly good at marketing. The director has a vision, but might be practically autistic when it comes to working with communities. This is a new role, one that is utterly vital to the success of the production, but one which is not yet budgeted for, and one which we do not yet train people to fill. Individuals have succeeded in this new model through their own tireless efforts, but each of these have been scattershot; there is a way to systematize this. While every production and every marketing plan will be unique – drawn from the fundamentals of the story being told – there are commonalities across productions which people will be able to absorb and apply, production after production.

One of my favorite quotes from science fiction writer William Gibson goes, “The future is already here, it’s just not evenly distributed.” This is so obviously true for film and television production that I need only close by noting that there are a lot of success stories out there, individuals who have taken the new laws of hyperdistribution and sharing and turned them to their own advantage. It is a challenge, and there will be failures; but we learn more from our failures than from our successes. Media production has always been a gamble; but the audiences of the 21st century make success easier to achieve than ever before.

Unevenly Distributed:Production Models for the 21st Century

Thursday, January 31st, 2008

I. The Wheels Fall Off the Cart

In mid-1994, sometime shortly after Tony Parisi and I had fused the new technology of the World Wide Web to a 3D visualization engine, to create VRML, we paid a visit to the University of Santa Cruz, about 120 kilometers south of San Francisco. Two UCSC students wanted to pitch us on their own web media project. The Internet Underground Music Archive, or IUMA, featured a simple directory of artists, complete with links to MP3 files of these artists

Hyperpolitics

Friday, November 30th, 2007

Introduction

Australians have just gone to the polls, and made a collective decision to reinvent their government. John Howard was uncommonly truthful when he stated, “When you change the government, you change the direction of the nation.” Just at this moment, as the front bench of the Government is being sorted out and ministers sworn in, we straddle a liminal space, where anything is possible. Before the Government does anything, it remains entirely potential. This is a space for dreaming big dreams.

All institutions inevitably disappoint – governments included – and as the Rudd Labor government moves from potentiality into actuality, these dreams will inevitably fade. We will wake up into a new reality. But just now, in these few days remaining to us, we have a unique opportunity to re-vision both the means and ends of governance. We can take a longer view than is normally allowed by a 24-hour news cycle, or the constant chatter of the blogs, and the endless sniping of a fractured and demoralized Liberal Opposition. This is the last moment – perhaps for the next decade – to rethink our assumptions.

In this essay, I will a new picture of politics, a “Theory of Everything”, which unites the Right-Left divide within an underlying model of human behavior. This is not a new political philosophy, but rather, the application of current research into sociobiology to sociology. Although sociology has historically stood at some distance from the “hard” sciences, the same was said of biology less than fifty years ago. When Watson and Crick discovered DNA, back in 1953, they unified biology and the “hard” sciences of chemistry and physics. We are at the cusp of another such union.

At the same time, the study of sociology, ethnology and anthropology has become the most vital area of research in technology. For a decade now, although I have continued to work with and invent new technologies, I have focused my research toward an understanding of how technologies change the people who use them, and how people change the technologies they use. This emergent, or “autopoeic,” relationship between technology and society is now having a significant impact upon the organization of all aspects of human life – and, in specific, the relationships between vast collections of individuals: that is, politics.

So let’s start with biology, and, as we work our way up, moving from the individual body to the body politic, I will to show you how our technologies have amplified some of our innate capabilities to such a degree that the previously unquestioned truths of political life no longer apply. The political environment of the 21st century bears little resemblance to the mass movements of the 19th and 20th centuries; this is a reality that political institutions are about to confront, and an environment which all of us – as political animals – must learn to exploit.

I: Biopolitics

In 1871, when Charles Darwin published The Descent of Man, he stated that,

Although a high standard of morality gives but a slight or no advantage to each individual man and his children over the other men of the same tribe…an advancement in the standard of morality will certainly give an immense advantage to one tribe over another.

This statement has caused no end of trouble, being taken up by those seeking a scientific rationale for the “White Man’s Burden,” which the British, Americans, French and Germans used as rationale for the “Great Game” of colonization. The European races, seeing themselves as morally superior to the uncivilized barbarian races (even if both India and China had been civilized since time out of mind), used their hundred year head start in technological advancement to trump the highly moral cultures of Asia. It was, they claimed, survival of the fittest. Darwin and all that.

The reductio ad absurdum of “moral fitness” justified the mass slaughter of indigenous Australians, Americans, Africans, and the extinction of the Tasmanians. The jump from Charles Darwin to King Leopold took just twenty years. When biologists realized what Darwin had wrought – and certainly Darwin had never intended his words to be twisted toward such malevolent ends – the entire idea of “moral selection” was quietly dropped from the canon of evolution. That presented a problem of its own; Darwin was working as a scientist, and you can’t just abandon an idea which has a sound scientific basis. While no one talked about “moral selection” in the context of human cultures, a new word, “altruism,” came to take its place. We’ll come back to that.

Meanwhile, over the next hundred years, evolutionary biologists studied the behavior of other social animals – specifically, the insects. E. O. Wilson, the Harvard myrmecologist and evolutionary biologist, studied the social behavior of ants. Ants, bees and other social insects flout the hard-and-fast laws of natural selection as laid down by Darwin: they often do not act in their own best interest, instead acting in the best interest of the colony or nest or hive. The individual selfishness predicted by natural selection has simply been written out of their repertoire of behaviors. Worker ants and worker bees simply toil until they drop dead from exhaustion; they do not breed, and do not pass their genes along to the next generation. In evolutionary terms, they do not succeed. Yet ants and bees are wonderfully successful life forms, found all across the habitable regions of the Earth.

This behavioral altruism has been a thorn in the side of evolutionary biologists; selfishness is considered an essential feature of natural selection – after all, the most selfish animals should, on the whole, do better than their less-selfish peers. This seems true on its face, but other social animals – the lions of Africa, who live in prides of up to fifteen females and children – also practice altruistic behaviors. Some females will forego breeding – and the chance to pass their genes along – instead, investing their energy in protecting and providing for the new mothers and their young. In other words, a pride which practices some degree of altruism will be more successful, in the long run, than a pride where it’s every lion for herself. This phenomenon has been recognized for some years, but, because it did not fit the existing theory, it’s been ignored.

Forty years ago, a consensus developed in the community of evolutionary biologists that natural selection occurred only at the level of the individual. That is, evolution would only select for traits useful in a single individual. The idea that traits such as altruism might be selected for within a social collection of individuals was declared heterodox. To the evolutionary biologists, there was no such thing as a social collection – despite some rather obvious evidence, from the insects and higher animals, that social collections are fairly common. As a consequence, evolutionary biologists have spent the last forty years developing some rather weird theories to explain away altruistic behavior, that is, trying to describe how unselfishness could emerge from selfishness.

The lovely thing about science is that the truth eventually triumphs. Just this year a number of papers – including a few by E. O. Wilson – describe what biologists are now calling “multi-level” selection; that is, a process of natural selection which includes both the individual and groups of individuals. Within the individual, selfish behaviors are selected for, but with social groups, altruistic behaviors can be just as strongly selected for. Consider two prides of lions, one of which has a number of females who have opted-out of breeding, while another has an assemblage of selfish individuals, all of whom are breeding. When each pride is threatened, or needs food, the pride with the altruistic individuals will tend to succeed, while the pride with only selfish individuals will tend to fail. The pressures of natural selection will tend to select altruism over selfishness when selecting between groups, but tends to select selfish individuals within either group.

This basic tension is at the core of what I want to explore this morning. Social animals do better for themselves and their children if they are selfish; but they do better against other similar groups if they are altruistic. Both of these selection pressures are acting simultaneously, both within the individual and within social groupings. If this is true for prides of lions, why would it be less true for the hominids? Neither altruism nor selfishness are extraordinary behaviors for social animals; they are both strongly selected for. All social animals, ourselves included, must display both of these behaviors to be successful. And, as we all know, humans have been very successful.

Let’s cross the tiny chasm that separates us from the “lower” animals. We’re less than two hundred thousand years away from the animal state ourselves, and we know that we haven’t evolved very much in that period of time. We’re remarkably similar to early modern humans found in South Africa. These early humans contained within them the same drives toward selfishness and selflessness; the selfish individuals within a tribal grouping would receive the “lion’s share” of the calories, and would raise healthy children. At the same time, starving your fellow tribespeople would leave you (in the plural, social sense) fatally weakened. Food sharing is an antique behavior, common across the hominids, strongest in humans, and is a signifier of altruism. Consider the emphasis we place on teaching children to share – an emphasis which is common across human cultures. Somewhere in our deepest roots, we understand that sharing is essential to survival.

Now, let’s step across a a larger chasm, and come forward two thousand centuries. In just the last ten thousand years, we’ve gone from tribal groupings driven by the “Dunbar Number,” which limits the effective size of human social networks to roughly 150 people, to urban groupings. Cities of a few thousand were commonplace at least eight thousand years ago, at Çatalhöyük in Anatolia, and Jericho in Palestine, social assemblages of humanity which far surpassed the ability of any human to contain all those other humans in their heads. As numbers grew, the basic human drives of selfishness and altruism, selected for over tens of millions of years of evolution, did not fade away. Instead, we see the emergence of differing ideals for human social organization – that is, political models. Each human culture of the past ten thousand years found its own balance point between selfishness and selflessness – often coded into the laws and moral teachings of religion.

By the nineteenth century, in the first city to pass a million inhabitants – London – we saw the emergence of two mutually exclusive political philosophies that are the absolute embodiment of these fundamental selection pressures. On the one hand, Thomas Hobbes in Leviathan announced the “War of all against all,” and John Stuart Mill, with his philosophy of Libertarianism, asserted the absolute right of the selfish individual to make his own way in the world. On the other, Karl Marx and Fredrick Engels distilled the essence of altruism: “From each according to their ability, to each according to their need.” The polar play of Libertarianism and Socialism stand outside the Left/Right divide of politics: Libertarianism is a philosophy of both the Left (anarcho-capitalism) and the Right (Objectivism), while Socialism can be Kropotkin’s anarchism, or authoritarian Marxism-Leninism. The important thing to note here is that both philosophies emerge from natural selection pressures. Libertarianism springs from the selfishness of the individual, Socialism from the altruism of the group. Neither is superior to the other. Both are natural and both are necessary. Yet so much of the tragedy of the last two hundred years has grown from one innate and natural drive asserting its primacy over its mirror twin.

Despite the fighting, the deaths and proclamations of the absolute, unquestionable truth from both camps, reality lies somewhere in the middle. It’s the mixture of selfish and altruistic tendencies which the body politic expresses; only in some very rare instances of revolution does one tendency achieve any lasting dominance over the other, and that invariably ends in debacle, because pressures selecting for both are never removed. Soviet Marxism-Leninism collapsed because it could not honestly incorporate individual selfishness; it was replaced by its opposite, a form of Crony Capitalism (the Age of the Oligarchs) which, in its own way, was just as noxious. China since Deng Xiaoping has moved from collectivism toward a mixed socialism which looks a lot more like American capitalism than Marxism-Leninism. This is not, as Francis Fukuyama would have it, “The End of History,” and the triumph of neo-Liberalism. Far from it. Australians have overwhelmingly rejected neo-Liberalism as too radical, too far from the mixture of selfishness and altruism which must be maintained in order to prevent catastrophe. There is a moral cost in adhering to selfishness, just as there is an opportunity cost inherent in altruism. Only in a mix can a healthy, vital balance be maintained.

While the preceding argument advocates for a moderate, middle-of-the-road approach to politics, this model works only with respect to politics before the network era. When looking toward a comfortable median in the behaviors and drives of thirteen million voters, a Government that mixes economic conservatism with a degree of socialism would seem to be as near to the ideal as can be achieved in the real world – and this is precisely the government Australians have elected. But the Australian body politic is now, suddenly, connected in entirely new ways, and, as a result, the political formations and pressures which characterized centrist politics will be increasingly destabilized by radically empowered polities within the larger body politic. These forces, too, are driven by the same essential selection pressures that characterize all social groupings, but these pressures have now accelerated to the speed of light, and amplified beyond all recognition.

II: Hyperintelligence: Or, What I Learned From The Poll Bludger

For the past three years, I have been intently studying the new digital social networks which have become such a prominent feature of life online. This study led me to a more complete understanding of all human social networks. We are all, all the time, immersed in social networks. It is a basic, essential part of human biology, and the one which takes the longest to mature. The cognitive apparatus which manages our social networks doesn’t come into its own until the mid-to-late teenage years, and is a big reason why teenagers, as a population, are so miserable: learning the rules of social networks is perhaps the most challenging of all human tasks.

A human isn’t completely human in the absence of our social networks. As a social species, we are not defined solely as individuals, but as members within some grouping. We do not end at our skin. Here too, we can see the echo of the selfish vs. altruist tug-of-war; the selfish bits of our biology seek to be self-contained; the drive to altruism reminds us that no man is an island. We are all actors within dynamic, evolving networks of individuals, gathered together around some shared goal. For tens of thousands of years, survival was the only goal of these human networks. While improvement in survival fitness remains the core goal of our participation within any social network, we now have many ways of reaching that goal. The explosion of cultural forms which define modernity is proof of this.

Social networks are now as ubiquitous as at any time in history, and have become instantaneous and global. Furthermore, these networks can capture their activity in a persistent form which lies outside of any one head – collective intelligence. It is now possible for a global human social network to pool its energies around a single effort, and – in the process – create something with value that far exceeds the contributions of any single member of the network. In the network era, the benefits of altruism can disproportionately outweigh the selection pressures of selfishness.

Consider Wikipedia. There are, globally, approximately 2000 “Wikipedians,” that is, core members of the global social network who create, maintain, arbitrate and improve upon the globally accessible, freely available and openly editable encyclopedia. The efforts of these Wikipedians (and additional contributions by millions of “fellow travelers”, who loosely affiliate themselves with the Wikipedians around a specific topic of interest) have completely redefined our understanding of knowledge formation. It is now clear, in the aftermath of the Britannica vs. Wikipedia Wars, that knowledge formation is not the exclusive province of elites: anyone, however marginalized, can make a meaningful contribution to the common font of human knowledge. Furthermore, everyone literate person can benefit from Wikipedia. As Wikipedia becomes ever-more-ubiquitous, as it extends its entries into every factual category, in every language with more than a million speakers, it should help us make better decisions: we have immediate access to (reasonably) accurate information in a way that no human has ever had before. If knowing the facts is a necessary precondition to good decision making, Wikipedia has already increased the selection fitness of all of its users. Anyone who uses Wikipedia has an enormous advantage over anyone who does not. This, in itself, is driving us all toward using Wikipedia.

In her book Continuities in Cultural Evolution, anthropologist Margaret Mead wrote:

“Never doubt that a small group of thoughtful, committed citizens can change the world. Indeed, it is the only thing that ever has.”

The Wikipedians, a 21st-century digital social network, have indeed changed the world – not just for themselves, but for all of us. Their single-minded dedication to an activity of nearly unalloyed altruism (Wikipedians are not paid, and, moreover, frequently confront powerful disapproval for their efforts) has had a profound and continuing influence on human culture. This is not just Wikipedia in itself, but the idea of Wikipedia. Collective intelligence, harnessed, recorded and shared, leads to what I have termed hyperintelligence, a social network that is vastly more intelligent than the sum of its parts. Wikipedia is only one variety of a hyperintelligence; there are others, and there will be many, many more to come.

Most are already familiar with the example of Wikipedia; while it is the archetypical example of hyperintelligence, and many believe that lightning will not strike twice, that this revolution begins and ends with Wikipedia. This is not the case. There are examples of hyperintelligence emerging everywhere we care to look. Having just returned from an encounter with another emerging hyperintelligence, I want to share with you one such example, as I believe that in this example we can locate the definitive features of a generalized model which then can be put to work.

As a subscriber to Crikey.com.au, I’ve kept careful note of links to other Australian political blogs when published in the newsletter. Among the most interesting of these are Possum’s Politics, run by the anonymous and mysterious “Possum Commitatus,” and The Poll Bludger, run by William Bowe, a 36 year-old PhD student at the University of Western Australia. Both Possum and Bowe are psephologists – they study the statistics of polls and elections. A few months ago, I hadn’t ever heard the word psephologist. Now I have something of an understanding of what they do, and how they do it. Psephologists use statistical tools to determine the accuracy of polls, the trends indicated by polls, and attempt – insofar as it is possible – to remove the noise from the soundings received from the electorate, to predict the outcome of elections. As with anything statistical, it’s not a precise science, but a psephologist can give you a margin of error for his predictions. In fact, I can now give you the formula for the margin of error associated with any statistical sample:

MoE = 0.98 / sqrt(sample size)

With this formula I can tell you that with a random poll of 2701 voters – such as in the last Newspoll taken before the election – the margin of error is about 1.9%, with a confidence level of 95%. I can tell you what a confidence level is. I can also tell you that Newspoll misallocated their preferences, based on an assumption, now shown to be erroneous, that preference distributions from 2004 would remain an accurate guide to preference distributions in 2007. The final Newspoll of the Federal election yielded a surprisingly low value for the two-party-preferred result for the ALP, which showed the race narrowing at its close, while, in fact, very little narrowing took place.

How do I know all this? I am not a psephologist, and I assure you that I have never in my life taken a statistics course. I know all of this because, for the last several weeks, and, in particular, for the two weeks leading up to the Federal election, I was deeply immersed in The Poll Bludger. I wasn’t the only one. From serious psephologists such as Bowe and Possum and the rock-star-like Antony Green, to tens of knowledgeable amateurs, through to complete newbies like myself, we opened up the entrails of the electorate and augured its meaning. We knew that the final AC Neilsen poll, showing a 57-43 TPP couldn’t possibly be right, because it swung to the top of the range of the earlier AC Nielsen polls; for the same reason, the much-touted narrowing in the final 48 hours was nothing but bad statistics, assumptions, and wishful thinking. We knew this, because those of us with knowledge shared it freely with those eager to learn. And I, being very eager indeed, spent hours and hours reading through the postings, ignoring the ever-increasing noise of various partisans as the campaign grew more heated and more desperate, focusing on the raw meat of poll data.

This was doubly an education for myself: as someone familiar only with the American electoral system, the concept of “swings” was entirely alien. But, because I listened intently, regarding each post from Possum and Bowe and Antony Green as pure psephological gold, I learned. I was hardly alone in this. Many of the individuals posting on Poll Bludger knew as little as I did – but we all learned together, and grew confident enough to share what we little we knew with each other.

At this point, it feels as though I’ve been through a crash course in psephology, statistics and Australian politics. I know far too much about far too many of the 150 electoral divisions in the House of Representatives, their voting histories and their members. I know how the “Latham swing” artificially distorted the preferences of the 2004 election. It may even be, when all the votes are counted, that I have correctly predicted the number of ALP seats (84) in the House of Representatives. I am, in short, a wholly qualified amateur psephologist, because other individuals in the blogging community freely and altruistically shared their knowledge with me in a way that allowed me to analyze, dissect and meditate upon their pedagogy.

A blog is a mechanism not just for conversation, but for knowledge capture. It is not as neat and accessible as a wiki, insofar as the blog must be read in its entirety, but it can record the collective intellectual output of a social network. Some of that is opinion, and some of that is factual; as I spent more time on Poll Bludger, it became easier to discern one from another. Raw knowledge, through experience, translated into understanding. That understanding, once earned, was also captured. It is impossible to translate one person’s understanding directly into another’s head, but captured understanding is a necessary prerequisite for hyperintelligence.

Wikipedia captures its understanding through its still-evolving processes: its standards, and (more significantly) its practices represent the embodied understandings of the Wikipedians, as Wikipedia has evolved from possibility through viability and into ubiquity. The Poll Bludgers learned very quickly not to feed the trolls, learned to detect and expose the “concern trolls,” and, over time, have grown into a community. Over the last four weeks, The Poll Bludger has become the place for “political tragics” to come and learn about and (perhaps) discuss the hot topics of the election. In that, The Poll Bludger is filling a very obvious void in Australian political life; the US has Daily Kos, Talking Points Memo, Huffington Post, Little Green Footballs, and countless other politically-focused blogs; before this electoral cycle, Australia’s political blogs were mostly personal sites, or professional journalistic endeavors. Possum’s Politics and The Poll Bludger mark the emergence of a political blogging community which, through shared, altruistic effort, are producing the first hallmarks of hyperintelligence.

Assuming that the community of Poll Bludgers hangs together past the fag-end of this electoral cycle (there are signs that Bowe intends the site to transition into broader discussions of the political affairs of the nation) there is now a highly knowledgeable and reasonably strong digital social network of politically-aware Australians. How the hyperintelligence of this community translates into a transformation of the Australian political landscape is, as yet, an open question.

As I stated at the outset, this is a period of profound liminality. We are between things. But what we do know, from Wikipedia and now The Poll Bludger, is that a community can share its wealth of knowledge – from each according to his ability, to each according to his need – and produce a highly disproportionate, asymmetric result. A small but motivated group of citizens can change the world. We need only to dissect the mechanics of this process, and abstract a model which can be put to work. This model will form the template for 21st-century political activism.

III: Nothing Like Democracy

Earlier this year, I was privileged to go “on tour” with Jimmy “Jimbo” Wales, the founder and public face of Wikipedia, as we crisscrossed the nation, talking to educators in Adelaide, Perth, Sydney and Melbourne. Everywhere we went, people asked the same question: why is Wikipedia such a success, while my wiki languishes? What do you need to achieve critical mass? The answer, Jimmy said, is five people. Five individuals dedicated to an altruistic sharing of collective intelligence should be enough to produce a flowering similar to Wikipedia. Jimbo has learned, through experience, that the “minor” language versions of Wikipedia (languages with less than 10 million native speakers), need at least five steady contributors to become self-sustaining. In the many wikis Jimbo oversees through his commercial arm, Wikia, he’s noted the same phenomenon time and again. Five people mark the tipping point between a hobby and a nascent hyperintelligence.

Five people is not a very big ask. Anything that people are passionate about should be able to gather together that many dedicated altruists. Since we are now constrained neither by location nor synchronous activity, the barrier to entry has become nearly non-existent. Just five people can easily enter into a pact to change the world. As their work catches on and catches fire, as they capture their collective intelligence, and as the social network forms, hyperintelligence will emerge. Everyone involved in the social network benefits from it, and every member of the network increases their own selection fitness by pursuing an altruistic end. They will be more effective in pursuit of their ends (insofar as those ends are those of the network), because of their participation within the network.

Effectiveness is a highly reinforcing reward. If, through participation within a social network, an individual can pursue his or her goals with greater effectiveness, those individuals are more likely, through time, to become more deeply involved in the network, further increasing their effectiveness. Thus, altruism – that is, investment in the network – reaps the selfish reward of increased effectiveness. Both basic biological drives are simultaneously served. This marks the fault line between the network era and the politics which came before it. In the era of hyperpolitics, altruistic investment yields selfish results, and does so in such a disproportionate manner that the drive toward altruistic behavior is very strongly reinforced.

Hyperpolitics have completely scrambled the neat continuum from selfishness to altruism which provided the frame for a hundred centuries of human civilization. We are entering uncharted territory. It is now almost impossibly easy for networks of individuals to appear out of nowhere, harnessing hyperintelligence to achieve their ends. This phenomenon, known as hyperempowerment (Robb, 2007), is a radically destabilizing force.

Wikipedians have put hyperintelligence to work for the benefit of all humanity, but the hyperempowerment created by Wikipedia has unintentionally destabilized educational, informational and governmental elites throughout the entire world. Daily Kos has put its social network to work for the benefit of progressive politicians throughout the US: for the next decade, psephologists will be debating the impact of the “Kossaks” on the 2006 US Congressional elections; there is no doubt that Kossaks strongly influenced candidate pre-selection. Hyperempowerment means you punch far above your weight; institutions – all institutions – formed during an earlier period, are ill-prepared for this.

The 21st century is witnessing the balkanization of a single body politic into a mass of hyperempowered polities, each leveraging its own resources of social networks and hyperintelligence to achieve its own ends. This is where we see the ageless conflict of selfishness against altruism emerge again, but in a different configuration. Within any hyperempowered network, altruism is strongly rewarded; when working against the aims of a similarly hyperempowered network, selfishness will rule the day. However, these polities are likely to be quick to recognize the advantages of cooperation as frequently as they choose to compete, so we will see meta-polities, and mega-polities. Political life will not re-integrate into the singular political blocks of the 19th and 20th centuries, but massive, if inchoate forces will emerge periodically before melting back into the chaos.

None of this involves voting. None of this involves government as we currently conceive of it. The “Reassurance Ritual” which Alvin Toffler wrote about in The Third Wave, the triennial trip to the polling booth to assert your continuing belief in and respect for the institutions of representative democracy simply doesn’t apply. Political pressure will be applied directly to the institutions of influence, and these institutions are already deforming due to the informational stresses placed upon them. They simply can’t respond fast enough to hyperempowered polities and hyperpolitics. There is little doubt that most of our familiar institutions, including governments, will rapidly disintegrate as the number of hyperempowered single-interest and special-interest and meta-interest groups begins to climb. We will be left with the hollowed-out remains of the institutions of government, but with nothing that looks anything like democracy.

This is already happening. And it’s a little late to reform our ways; these transformations emerge naturally from our interactions with each other through the network. We’d need to junk the infrastructure of the last forty years of development, everywhere in the world, to prevent this process from continuing and accelerating. Yet there are dangers, great dangers. Turn hyperempowerment one way, and you get Wikipedia. Turn it another way, and you get Al Qaeda, which is the very definition of a hyperempowered polity: loosely joined, knowledge sharing, altruistically focused on bringing a Wahabist Caliphate to the entire Muslim world. Al Qaeda will not surrender its network. It is its network. And that network has proven incredibly resilient, despite every attempt from a nearly universal collection of institutional powers to extinguish it. (The same can be said about the file-sharing networks which have become the permanent bane of institutional media interests.)

For this reason, we don’t have any easy options. We must understand how the processes of hyperintelligence, hyperempowerment and hyperpolitics work, and make them work for us. Because someone will make it work for them. Indeed, some already have. Unless hyperempowerment is met with hyperempowerment, in a new balance of power, we will simply be pushed around more effectively than ever before, by forces which, acting selfishly, are unlikely to have our own best interests in mind.

So, as we sit and talk pleasantly about blogging and conversational media and Web 2.0, discussing their impacts on Australia’s political system and the global political order, please realize this: we are sitting on a bomb, now half-exploded. Everything we know about how institutions behave is likely to be proven hilariously wrong. We are the institutions now, and we, here in this room, bear full responsibility for our actions. This is the between time, the time when anything can happen. As we rise into hyperempowerment, we need to be mindful of what we want to share, and to what end. For sharing is the shape, the promise, and the danger of our common future.

Understanding Gilmore’s Law: The Motion Picture

Wednesday, July 25th, 2007

Recorded yesterday morning, edited with slides last night; transcoded and uploaded to YouTube just five minutes ago.

Understanding Gilmore’s Law: The Motion Picture

Wednesday, July 25th, 2007

Recorded yesterday morning, edited with slides last night; transcoded and uploaded to YouTube just five minutes ago.

Understanding Gilmore’s Law: Telecoms Edition

Sunday, July 22nd, 2007

OR,
How I Quit Worrying and Learned to be a Commodity

Introduction


“The net interprets censorship as damage and routes around it.”
– John Gilmore

I read a very interesting article last week. It turns out that, despite their best efforts, the Communist government of the People’s Republic of China have failed to insulate their prodigious population from the outrageous truths to be found online. In the article from the Times, Wang Guoqing, a vice-minister in the information office of the Chinese cabinet was quoted as saying, “It has been repeatedly proved that information blocking is like walking into a dead end.” If China, with all of the resources of a one-party state, and thus able to “lock down” its internet service providers, directing their IP traffic through a “great firewall of China”, can not block the free-flow of information, how can any government, anywhere – or any organization, or institution – hope to try?

Of course, we all chuckle a little bit when we see the Chinese attempt the Sisyphean task of damming the torrent of information which characterizes life in the 21st century. We, in the democratic West, know better, and pat ourselves on the back. But we are in no position to throw stones. Gilmore’s Law is not specifically tuned for political censorship; censorship simply means the willful withholding of information – for any reason. China does it for political reasons; in the West our reasons for censorship are primarily economic. Take, for example, the hullabaloo associated with the online release of Harry Potter and the Deathly Hallows, three days before its simultaneous, world-wide publication. It turns out that someone, somewhere, got a copy of the book, and laboriously photographed every single page of the 784-page text, bound these images together into a single PDF file, and then uploaded it to the global peer-to-peer filesharing networks. Everyone with a vested financial interest in the book – author J.K. Rowling, Bloomsbury and Scholastic publishing houses, film studio Warner Brothers – had been feeding the hype for the impending release, all focused around the 21st of July. An enormous pressure had been built up to “peek at the present” before it was formally unwrapped, and all it took was one single gap in the $20 million security system Bloomsbury had constructed to keep the text safely secure. Then it became a globally distributed media artifact. Curiously, Bloomsbury was reported as saying they thought it would only add to sales – if many people are reading the book now, even illegally, then even more people will want to be reading the book right now. Piracy, in this case, might be a good thing.

These two examples represent two data points which show the breadth and reach of Gilmore’s Law. Censorship, broadly defined, is anything which restricts the free flow of information. The barriers could be political, or they could be economic, or they could – as in the case immediately relevant today – they could be a nexus of the two. Broadband in Australia is neither purely an economic nor purely a political issue. In this, broadband reflects the Janus-like nature of Telstra, with one face turned outward, toward the markets, and another turned inward, toward the Federal Government. Even though Telstra is now (more or less) wholly privatized, the institutional memory of all those years as an arm of the Federal Government hasn’t yet been forgotten. Telstra still behaves as though it has a political mandate, and is more than willing to use its near-monopoly economic strength to reinforce that impression.

Although seemingly unavoidable, given the established patterns of the organization, Telstra’s behavior has consequences. Telstra has engendered enormous resentment – both from its competitors and its customers – for its actions and attitude. They’ve recently pushed the Government too far (at least, publicly), and have been told to back off. What may not be as clear – and what I want to warn you of today – is how Telstra has sewn the seeds of its own failure. What’s more, this may not be anything that Telstra can now avoid, because this is neither a regulatory nor an economic failure. It can not be remedied by any mechanism that Telstra has access to. Instead, it may require a top-down rethinking of the entire business.

I: Network Effects

For the past several thousand years, the fishermen of Kerala, on the southern coast of India, have sailed their dhows out into the Indian Ocean, lowered their nets, and hoped for the best. When the fishing is good, they come back to shore fully laden, and ready to sell their catch in the little fish markets that dot the coastline. A fisherman might have a favorite market, docking there only to find that half a dozen other dhows have had the same idea. In that market there are too many fish for sale that day, and the fisherman might not even earn enough from his catch to cover costs. Meanwhile, in a market just a few kilometers away, no fishing boats have docked, and there’s no fish available at any price. This fundamental chaos of the fish trade in Kerala has been a fact of life for a very long time.

Just a few years ago, several of India’s rapidly-growing wireless carriers strung GSM towers along the Kerala coast. This gives those carriers a signal reach of up to about 25km offshore – enough to be very useful for a fisherman. While mobile service in India is almost ridiculously cheap by Australian standards – many carriers charge a penny for an SMS, and a penny or two per minute for voice calls – a handset is still relatively expensive, even one such as the Nokia 1100, which was marketed specifically at emerging mobile markets, designed to be cheap and durable. Such a handset might cost a month’s profits for a fisherman – which makes it a serious investment. But, at some point in the last few years, one fisherman – probably a more prosperous one – bought a handset, and took it to sea. Then, perhaps quite accidentally, he learned, through a call ashore, of a market wanting for fish that day, brought his dhow to dock there, and made a handsome profit. After that, the word got around rapidly, and soon all of Kerala’s fisherman were sporting their own GSM handsets, calling into shore, making deals with fishmongers, acting as their own arbitrageurs, creating a true market where none had existed before. Today in Kerala the markets are almost always stocked with just enough fish; the fishmongers make a good price for their fish, and the fishermen themselves earn enough to fully recoup the cost of their handsets in just two months. Mobile service in Kerala has dramatically altered the economic prospects for these people.

This is not the only example: in Kenya farmers call ahead to the markets to learn which ones will have the best prices for their onions and maize; spice traders, again in Kerala, use SMS to create their own, far-flung bourse. Although we in the West generally associate mobile communications with affluent lifestyles, a significant number of microfinance loans made by Grameen Bank in Bangladesh, and others in Pakistan, India, Africa and South America are used to purchase mobile handsets – precisely because the correlation between access to mobile communications and earning potential has become so visible in the developing world. Grameen Bank has even started its own carrier, GrameenPhone, to service its microfinance clientele.

Although economists are beginning to recognize and document this curious relationship between economics and access to communication, it needs to be noted that this relationship was not predicted – by anyone. It happened all by itself, emerging from the interaction of individuals and the network. People – who are always the intelligent actors in the network – simply recognized the capabilities of the network, and put them to work. As we approach the watershed month of October 2007, when three billion people will be using mobile handsets, when half of humanity will be interconnected, we can expect more of the unexpected.

All of this means that none of us – even the most foresighted futurist – can know in advance what will happen when people are connected together in an electronic network. People themselves are too resourceful, and too intelligent, to model their behavior in any realistic way. We might be able to model their network usage – though even that has confounded the experts – but we can’t know why they’re using the network, nor what kind of second-order effects that usage will have on culture. Nor can we realistically provision for service offerings; people are more intelligent, and more useful, than any other service the carriers could hope to offer. The only truly successful service offering in mobile communications is SMS – because it provides an asynchronous communications channel between people. The essential feature of the network is simply that it connects people together, not that it connects them to services.

This strikes at the heart of the most avaricious aspects of the carriers’ long-term plans, which center around increasing the levels of services on offer, by the carrier, to the users of the network. Although this strategy has consistently proven to be a complete failure – consider Compuserve, Prodigy and AOL – it nevertheless has become the idée fixe of shareholder reports, corporate plans, and press releases. The network, we are told, will become increasingly more intelligent, more useful, and more valuable. But all of the history of the network argues directly against this. Nearly 40 years after its invention, the most successful service on the Internet is still electronic mail, the Internet’s own version of SMS. Although the Web has become an important service in its own right, it will never be as important as electronic mail, because it connects individuals.

Although the network in Kerala was brought into being by the technology of GSM transponders and mobile handsets, the intelligence of the network truly does lie in the individuals who are connected by the network. Let’s run a little thought experiment, and imagine a world where all of India’s telecoms firms suffered a simultaneous catastrophic and long-lasting failure. (Perhaps they all went bankrupt.) Do you suppose that the fishermen would simply shrug their shoulders and go back to their old, chaotic market-making strategies? Hardly. Whether they used smoke signals, or semaphores, or mirrors on the seashore, they’d find some way to maintain those networks of communication – even in the absence of the technology of the network. The benefits of the network so outweigh the implementation of the network that, once created, networks can not be destroyed. The network will be rebuilt from whatever technology comes to hand – because the network is not the technology, but the individuals connected through it.

This is the kind of bold assertion that could get me into a lot of trouble; after all, everyone knows that the network is the towers, the routers, and the handsets which comprise its physical and logical layers. But if that were true, then we could deterministically predict the qualities and uses of networks well in advance of their deployment. The quintessence of the network is not a physical property; it is an emergent property of the interaction of the network’s users. And while people do persistently believe that there is some “magic” in the network, the source of that magic is the endlessly inventive intellects of the network’s users. When someone – anywhere in the network – invents a new use for the network, it propagates widely, and almost instantaneously, transmitted throughout the length and breadth of the network. The network amplifies the reach of its users, but it does not goad them into being inventive. The service providers are the users of the network.

I hope this gives everyone here some pause; after all, it is widely known that the promise to bring a high-speed broadband network to Australia is paired with the desire to provide services on that network, including – most importantly – IPTV. It’s time to take a look at that promise with our new understanding of the real power of networks. It is under threat from two directions: the emergence of peer-produced content; and the dramatic, disruptive collapse in the price of high-speed wide-area networking which will fully power individuals to create their own network infrastructure.

II: DIYnet

Although nearly all high-speed broadband providers – which are, by and large, monopoly or formerly monopoly telcos – have bet the house on the sale of high-priced services to finance the build-out of high-speed (ADSL2/FTTN/FTTH) network infrastructure, it is not at all clear that these service offerings will be successful. Mobile carriers earn some revenue from ringtone and game sales, but this is a trivial income stream when compared to the fees they earn from carriage. Despite almost a decade of efforts to milk more ARPU from their customers, those same customers have proven stubbornly resistant to a continuous fleecing. The only thing that customers seem obviously willing to pay for is more connectivity – whether that’s more voice calls, more SMS, or more data.

What is most interesting is what these customers have done with this ever-increasing level of interconnectivity. These formerly passive consumers of entertainment have become their own media producers, and – perhaps more ominously, in this context – their own broadcasters. Anyone with a cheap webcam (or mobile handset), a cheap computer, and a broadband link can make and share their own videos. This trend had been growing for several years, but since the launch of YouTube, in 2005, it has rocketed into prominence. YouTube is now the 4th busiest website, world-wide, and perhaps 65% of all video downloads on the web take place through Google-owned properties. Amateur productions regularly garner tens of thousands of viewers – and sometimes millions.

We need to be very careful about how we judge both the meaning of the word “amateur” in the context of peer-produced media. An amateur production may be produced with little or no funding, but that does not automatically mean it will appear clumsy to the audience. The rough edges of an amateur prodution are balanced out by a corresponding increase in salience – that is, the importance which the viewer attaches to the subject of the media. If something is compelling because it is important to us – something which we care passionately about – high production values do not enter into our assessment. Chad Hurley, one of the founders of YouTube has remarked that the site has no “gold-standard” for production; in fact, YouTube’s gold-standard is salience – if the YouTube audience feels the work is important, audience members will share it within their own communities of interest. Sharing is the proof of salience.

After two years of media sharing, the audience for YouTube (which is now coincident with the global television audience in the developed world) has grown accustomed to being able to share salient media freely. This is another of the unexpected and unpredicted emergent effects of the intelligence of humans using the network. We now have an expectation that when we encounter some media we find highly salient, we should be able to forward it along within our social networks, sharing it within our communities of salience. But this is not the desire of many copyright holders, who collect their revenues by placing barriers to the access of media. This fundamental conflict, between the desire to share, as engendered by our own interactions with the network, and the desire of copyright holders to restrain media consumption to economic channels has, thus far, been consistently resolved in favor of sharing. The copyright holders have tried to use the legal system as a bludgeon to change the behavior of the audience; this has not, nor will it ever work. But, as the copyright holders resort to ever-more-draconian techniques to maintain control over the distribution of their works, the audience is presented with an ever-growing world of works that are meant to be shared. The danger here is that the audience is beginning to ignore works which they can not share freely, seeing them as “broken” in some fundamental way. Since sharing has now become an essential quality of media, the audience is simply reacting to a perceived defect in those works. In this sense, the media multinationals have been their own worst enemies; by restricting the ability of the audiences to share the works they control, they have helped to turn audiences toward works which audiences can distribute through their own “do-it-yourself” networks.

These DIYnets are now a permanent fixture of the media landscape, even as their forms evolve through YouTube playlists, RSS feeds, and sharing sites such as Facebook and Pownce. These networks exist entirely outside the regular and licensed channels of distribution; they are not suitable – legally or economically – for distribution via a commercial IPTV network. Telstra can not provide these DIYnets to their customers through its IPTV service – nor can any other broadband carrier. IPTV, to a carrier, means the distribution of a few hundred highly regularized television channels. While there will doubtless be a continuing market for mass entertainment, that audience is continuously being eroded by a growing range of peer-produced programming which is growing in salience. In the long-term this, like so much in the world, will probably obey an 80/20 rule, with about 80 percent of the audience’s attention absorbed in peer-produced, highly-salient media, while 20 percent will come from mass-market, high-production-value works. It doesn’t make a lot of sense to bet the house on a service offering which will command such a small portion of the audience’s attention. Yes, Telstra will offer it. But it will never be able to compete with the productions created by the audience.

Because of this tension between the desires of the carrier and the interests of the audience, the carrier will seek to manipulate the capabilities of the broadband offering, to weight it in favor of a highly regularized IPTV offering. In the United States this has become known as the “net neutrality” argument, and centers on the question of whether a carrier has the right to shape traffic within its own IP network to advantage its own traffic over that of others. In Australia, the argument has focused on tariff rates: Telstra believes that if they build the network, they should be able to set the tariff. The ACCC argues otherwise. This has been the characterized as the central stumbling block which has prevented the deployment of a high-speed broadband network across the nation, and, in some sense that is entirely true – Telstra has chosen not move forward until it feels assured that both economic and regulatory conditions prove favorable. But this does not mean that the consumer demand for a high-speed network was simply put on pause over the last years. More significantly, the world beyond Telstra has not stopped advancing. While it now costs roughly USD $750 per household to provide a high-speed fiber-optic connection to the carrier network, other technologies are coming on-line, right now, which promise to reduce those costs by an order of magnitude, and furthermore, which don’t require any infrastructure build-out on the part of the carrier. This disruptive innovation could change the game completely.

III: Check, Mate

All parties to the high-speed broadband dispute – government, Telstra, the Group of Nine, and the public – share the belief that this network must be built by a large organization, able to command the billions of dollars in capital required to dig up the streets, lay the fiber, and run the enormous data centers. This model of a network is an reflection in copper, plastic and silicon, of the hierarchical forms of organization which characterize large institutions – such as governments and carriers. However, if we have learned anything about the emergent qualities of networks, it is that they quickly replace hierarchies with “netocracies“: horizontal meritocracies, which use the connective power of the network to out-compete slower and rigid hierarchies. It is odd that, while the network has transformed nearly everything it has touched, the purveyors of those networks – the carriers – somehow seem immune from those transformative qualities. Telecommunications firms are – and have ever been – the very definition of hierarchical organizations. During the era of plain-old telephone service, the organizational form of the carrier was isomorphic to the form of the network. However, over the last decade, as the internal network has transitioned from circuit-switched to packed-switched, the institution lost synchronization with the form of the network it provided to consumers. As each day passes, carriers move even further out of sync: this helps to explain the current disconnect between Telstra and Australians.

We are about to see an adjustment. First, the data on the network was broken into packets; now, the hardware of the network has followed. Telephone networks were centralized because they required explicit wiring from point-to-point; cellular networks are decentralized, but use licensed spectrum – which requires enormous capital resources. Both of these conditions created significant barriers to entry. But there is no need to use wires, nor is there any need to use licensed spectrum. The 2.4 GHz radio band is freely available for anyone to use, so long as that use stays below certain power values. We now see a plethora of devices using that spectrum: cordless handsets, Bluetooth devices, and the all-but-ubiquitous 802.11 “WiFi” data networks. The chaos which broadcasters and governments had always claimed would be the by-product of unlicensed spectrum has, instead, become an wonderfully rich marketplace of products and services. The first generation of these products made connection to the centralized network even easier: cordless handsets liberated the telephone from the twisted-pair connection to the central office, while WiFi freed computers from heavy and clumsy RJ-45 jacks and CAT-5 cabling. While these devices had some intelligence, that intelligence centered on making and maintaining a connection to the centralized network.

Recently, advances in software have produced a new class of devices which create their own networks. Devices connected to these ad-hoc “mesh” networks act as peers in a swarm (similar to the participants in peer-to-peer filesharing), rather than clients within a hierarchical distribution system. These network peers share information about their evolving topology, forming a highly-resilient fabric of connections. Devices maintain multiple connections to multiple nodes throughout the network, and a packet travels through the mesh along a non-deterministic path. While this was always the promise of TCP/IP networks, static routes through the network cloud are now the rule, because they provide greater efficiency, make it easier to maintain the routers, diagnose network problems, and keeps maintenance costs down. But mesh networks are decentralized; there is no controlling authority, no central router providing an interconnection with a peer network. And – most significantly – mesh networks now incredibly inexpensive to implement.

Earlier this year, the US-based firm Meraki launched their long-awaited Meraki Mini wireless mesh router. For about AUD $60, plus the cost of electricity, anyone can become a peer within a wireless mesh network providing speeds of up to 50 megabits per second. The device is deceptively simple; it’s just an 802.11 transceiver paired with a single-chip computer running LINUX and Meraki’s mesh routing software – which was developed by Meraki’s founders while Ph.D. students at the Massachusetts Institute of Technology. The 802.11 radio within the Meraki Mini has been highly optimized for long-distance communication. Instead of the normal 50 meter radius associated with WiFi, the Meraki Mini provides coverage over at least 250 meters – and, depending upon topography, can reach 750 meters. Let me put that in context, by showing you the coverage I’ll get when I install a Meraki Mini on my sixth-floor balcony in Surry Hills:



From my flat, I will be able to reach all the way from Central Station to Riley Street, from Belvoir Street over to Albion Street. Thousands of people will be within range of my network access point. Of course, if all of them chose to use my single point of access, my Meraki Mini would be swamped with traffic. It simply wouldn’t be able to cope. But – given that the Meraki Mini is cheaper than most WiFi access points available at Harvey Norman – it’s likely that many people within that radius would install their own access points. These access points would detect each others’ presence, forming a self-organizing mesh network. If every WiFi access point visible from my flat (I can sense between 10 and 20 of them at any given time) were replaced with a Meraki Mini, or, perhaps more significantly, if these WiFi access points were given firmware upgrades which allowed them to interoperate with the mesh networks created by the Meraki Mini – my Surry Hills neighborhood would suddenly be blanketed in a highly resilient and wholly pervasive wireless high-speed network, at nearly no cost to the users of that network. In other words, this could all be done in software. The infrastructure is already deployed.

As some of you have no doubt noted, this network is highly local; while there are high-speed connections within the wireless cloud, the mesh doesn’t necessarily have connections to the global Internet. In fact, Meraki Minis can act as routers to the Internet, routing packets through their Ethernet interfaces to the broader Internet, and Meraki recommends that at least every tenth device in a mesh be so equipped. But it’s not strictly necessary, and – if dedicated to a particular task – completely unnecessary. Let us say, for example, that I wanted to provide a low-cost IPTV service to the residents of Surry Hills. I could create a “head-end” in my own flat, and provide my “subscribers” with Meraki Minis and an inexpensive set-top-box to interface with their televisions. For a total install cost of perhaps $300, I could give everyone in Surry Hills a full IPTV service (though it’s unlikely I could provide HD-quality). No wiring required, no high-speed broadband buildout, no billions of dollars, no regulatory relaxation. I could just do it. And collect both subscriber fees and advertiser revenues. No Telstra. No Group of Nine. No blessing from Senator Coonan. No go-over by the ACCC. The technology is all in place, today.

Here’s a news report – almost a year old – which makes the point quite well:

I bring up this thought experiment to drive home my final point: Telstra isn’t needed. It might not even be wanted. We have so many other avenues open to us to create and deploy high-speed broadband services that it’s likely Telstra has just missed the boat. You’ve waited too long, dilly-dallying while the audience and the technology have made you obsolete. The audience doesn’t want the same few hundred channels they can get on FoxTel: they want the nearly endless stream of salience they can get from YouTube. The technology is no longer about centralized distribution networks: it favors light, flexible, inexpensive mesh networks. Both of these are long-term trends, and both will only grow more pronounced as the years pass. In the years it takes Telstra – or whomever gets the blessing of the regulators – to build out this high-speed broadband network, you will be fighting a rearguard action, as both the audience and the technology of the network race on past you. They have already passed you by, and it’s been my task this morning to point this out. You simply do not matter.

This doesn’t mean it’s game over. I don’t want you to report to Sol Trujilo that it’s time to have a quick fire-sale of Telstra’s assets. But it does mean you need to radically rethink your business – right now. In the age of pervasive peer-production, paired with the advent of cheap wireless mesh networks, your best option is to become a high-quality connection to the global Internet – in short, a commodity. All of this pervasive wireless networking will engender an incredible demand for bandwidth; the more people are connected together, the more they want to be connected together. That’s the one inarguable truth we can glean from the 160 years of electric communication. Telstra has the infrastructure to leverage itself into becoming the most reliable data carrier connecting Australians to the global Internet. It isn’t glamorous, but it is a business with high barriers to entry, and promises a steadily growing (if unexciting) continuing revenue stream. But, if you continue to base your plans around selling Australians services we don’t want, you are building your castles on the sand. And the tide is rising.

Understanding Gilmore’s Law: Telecoms Edition

Sunday, July 22nd, 2007

OR,
How I Quit Worrying and Learned to be a Commodity

Introduction

Rearranging the Deck Chairs

Wednesday, October 25th, 2006

I. Everything Must Go!

It’s merger season in Australia. Everything must go! Just moments after the new media ownership rules received the Governor-General’s royal assent, James Packer sold off his family’s crown jewel, the NINE NETWORK – consistently Australia’s highest-rated television broadcaster since its inception, fifty years ago – along with a basket of other media properties. This sale effectively doubled his already sizeable fortune (now hovering at close to 8 billion Australian dollars) and gave him plenty of cash to pursue the 21st-century’s real cash cow: gambling. In an era when all media is more-or-less instantaneously accessible, anywhere, from anyone, the value of a media distribution empire is rapidly approaching zero, built on the toppling pillars of government regulation of the airwaves, and a cheap stream of high-quality American television programming. Yes, audiences might still tune in to watch the footy – live broadcasting being uniquely exempt from the pressures of the economics of the network – but even there the number of distribution choices is growing, with cable, satellite and IPTV all demanding a slice of the audience. Television isn’t dying, but it no longer guarantees returns. Time for Packer to turn his attention to the emerging commodity of the third millennium: experience. You can’t download experience: you can only live through it. For those who find the dopamine hit of a well-placed wager the experiential sine qua non, there Packer will be, Asia’s croupier, ready to collect his winnings. Who can blame him? He (and, undoubtedly, his well-paid advisors) have read the trend lines correctly: the mainstream media is dying, slowly starved of attention.

The transformation which led to the sale of NINE NETWORK is epochal, yet almost entirely subterranean. It isn’t as though everyone suddenly switched off the telly in favor of YouTube. It looks more like death from a thousand cuts: DVDs, video games, iPods, and YouTube have all steered eyeballs away from the broadcast spectrum toward something both entirely digital and (for that reason) ultimately pervasive. Chip away at a monolith long enough and you’re left with a pile of rubble and dust.

On a somewhat more modest scale, other media moguls in Australia have begun to hedge their bets. Kerry Stokes, the owner of Channel 7, made a strategic investment in Western Australia Publishing. NEWS Corporation, the original Australian media empire, purchased a minority stake in Fairfax, the nation’s largest newspaper publisher (and is eyeing a takeover of Canadian-owned Channel TEN). To see these broadcasters buying into newspapers, four decades after broadcast news effectively delivered death-blows to newspaper publishing, highlights the sense of desperation: they’re hoping that something, somewhere in the mainstream media will remain profitable. Yet there are substantial reasons to expect that these long-shot bets will fail to pay out.

II. The Vanilla Republic

It’s election season in America. Everyone must go! The mood of the electorate in the darkening days of 2006 could best be described as surly. An undercurrent of rage and exasperation afflicts the body politic. This may result in a left-wing shift in the American political landscape, but we’re still two weeks away from knowing. Whatever the outcome, this electoral cycle signifies another epochal change: the mainstream media have lost their lead as the reporters of political news. The public at large views the mainstream media skeptically – these were, after all, the same organizations which whipped the republic into a frenzied war-fever – and, with the regret typical of a very disgruntled buyer, Americans are refusing to return to the dealership for this year’s model. In previous years, this would have left voters in the dark: it was either the mainstream media or ignorance. But, in the two years since the Presidential election, the “netroots” movement has flowered into a vital and flexible apparatus for news reportage, commentary and strategic thinking. Although the netroots movement is most often associated with left-wing politics, both sides of the political spectrum have learned to harness blogs, wikis, feeds and hyperdistribution services such as YouTube for their own political ends. There is nothing quintessentially new about this; modern political parties, emerging in Restoration-era London, used printing presses, broadsheets and daily newspapers – freely deposited in the city’s thousands of coffeehouses – as the blogs of their era. Political news moved very quickly in 17th-century England, to the endless consternation of King Charles II and his censors.

When broadcast media monopolized all forms of reportage – including political reporting – the mass mind of the 20th-century slotted into a middle-of-the-road political persuasion. Neither too liberal, nor too conservative, the mainstream media fostered a “Vanilla Republic,” where centrist values came to dominate political discourse. Of course, the definition of “centrist” values is itself highly contentious: who defines the center? The right-wing decries the excesses of “liberal bias” in the media, while the left-wing points to the “agenda of the owners,” the multi-billionaire stakeholders in these broadcast empires. This struggle for control over the definition of the center characterized political debate at the dawn of the 21st-century – a debate which has now been eclipsed, or, more precisely, overrun by events.

In April 2004, Markos Moulitsas Zúniga, a US army veteran who had been raised in civil-war-torn El Salvador, founded dKosopedia, a wiki designed to be a clearing-house for all sorts of information relating to leftwing netroots activities. (The name is a nod to Wikipedia.) While the first-order effect of the network is to gather individuals together into a community, once the community has formed, it begins to explore the bounds of its collective intelligence. Political junkies are the kind of passionate amateurs who defy the neat equation of amateur as amateurish. While they are not professional – meaning that they are not in the employ of politicians or political parties – political junkies are intensely well-informed, regarding this as both a civic virtue and a moral imperative. Political junkies work not for power, but for the greater good. (That opposing parties in political debate demonize their opponents as evil is only to be expected given this frame of mind.) The greater good has two dimensions: to those outside the community, it is represented as us vs. them; internally, it is articulated through the community’s social network: those with particular areas of expertise are recognized for their contributions, and their standing in the community rises appropriately.

This same process transformed dKosopedia into Daily Kos (dKos), a political blog where any member can freely write entries – known as “diaries” – on any subject of interest, political, cultural or (more rarely) nearly anything else. The very best of these contributors became the “front page” authors of Daily Kos, their entries presented to the entire community; but part of the responsibility of a front-page contributor is that they must constantly scan the ever-growing set of diaries, looking for the best posts among them to “bump” to front-page status. (This article will be cross-posted to my dKos diary, and we’ll see what happens to it.) Any dKos member can make a comment on any post, so any community member – whether a regular diarist or regular reader – can add their input to the conversation. The strongly self-reinforcing behavior of participation encourages “Kossacks” (as they style themselves) to share, pool, and disseminate the wealth of information gathered by over two million readers. Daily Kos has grown nearly exponentially since its founding days, and looks to reach its highest traffic levels ever as the mid-term elections approach.

III. My Left Eyeball

Salience is the singular quality of information: how much does this matter to me? In a world of restricted media choices, salience is best-fit affair; something simply needs to be relevant enough to garner attention. In the era of hyperdistribution, salience is a laser-like quality; when there are a million sites to read, a million videos to watch, a million songs to listen to, individuals tailor their choices according to the specifics of their passions. Just a few years ago – as the number of media choices began to grow explosively – this took considerable effort. Today, with the rise of “viral” distribution techniques, it’s a much more straight-forward affair. Although most of us still rely on ad-hoc methods – polling our friends and colleagues in search of the salient – it’s become so easy to find, filter, and forward media through our social networks that we have each become our own broadcasters, transmitting our own passions through the network. Where systems have been organized around this principle – for instance, YouTube, or Daily Kos – this information flow is greatly accelerated, and the consequential outcomes amplified. A Sick Puppies video posted to YouTube gets four million views in a month, and ends up on NINE NETWORK’s 60 Minutes broadcast. A Democratic senatorial primary in Connecticut becomes the focus of national interest – a referendum on the Iraq war – because millions of Kossacks focus attention on the contest.

Attention engenders salience, just as salience engenders attention. Salience satisfied reinforces relationship; to have received something of interest makes it more likely that I will receive something of interest in the future. This is the psychological engine which powers YouTube and Daily Kos, and, as this relationship deepens, it tends to have a zero-sum effect on its participants’ attention. Minutes watching YouTube videos are advertising dollars lost to NINE NETWORK. Time spent reading Daily Kos are eyeballs and click-through lost to The New York Times. Furthermore, salience drives out the non-salient. It isn’t simply that a Kossack will read less of the Times, eventually they’ll read it rarely, if at all. Salience has been satisfied, so the search is over.

While this process seems inexorable, given the trends in media, only very recently has it become a ground-truth reality. Just this week I quipped to one of my friends – equally a dedicatee of Daily Kos – that I wanted “an IV drip of dKos into my left eyeball.” I keep the RSS feed of Daily Kos open all the time, waiting for the steady drip of new posts. I am, to some degree, addicted. But, while I always hunger for more, I am also satisfied. When I articulated the passion I now had for Daily Kos, I also realized that I hadn’t been checking the Times as frequently as before – perhaps once a day – and that I’d completely abandoned CNN. Neither website possessed the salience needed to hold my attention.

I am certainly more technically adept in than the average user of the network; my media usage patterns tend to lead broader trends in the culture. Yet there is strong evidence to demonstrate that I am hardly alone in this new era of salience. How do I know this? I recently received a link – through two blogs, Daily Kos and The Left Coaster – to a political campaign advertisment for Missouri senatorial candidate Claire McCaskill. The ad, featuring Michael J. Fox, diagnosed with a early-onset form of Parkinson’s Disease, clearly shows him suffering the worst effects of the disorder. Within a few hours after the ad went up on the McCaskill website, it had already been viewed hundreds of thousands, and probably millions of times. People are emailing the link to the ad (conveniently provided below the video window, to spur on viral distribution) all around the country, and likely throughout the world. “All politics is local,” Fox says. “But it’s not always the case.” This, in a nutshell, describes both the political and the media landscapes of the 21st-century. Nothing can be kept in a box. Everything escapes.

Twenty-five years ago, in The Third Wave, Alvin Toffler predicted the “demassification of media.” Looking at the ever-multiplying number of magazines and television channels, Toffler predicted a time when the mass market fragmented utterly, into an atomic polity, entirely composed of individuals. Writing before the Web (and before the era of the personal computer) he offered no technological explanation for how demassification would come to pass. Yet the trend lines seemed obvious.

The network has grown to cover every corner of the planet in the quarter-century since the publication of The Third Wave – over two billion mobile phones, and nearly a billion networked computers. A third of the world can be reached, and – more significantly – can reach out. Photographs of bombings in the London Underground, captured on mobile phone cameras, reach Flickr before they’re broadcast on the BBC. Islamic insurgents in Iraq videotape, encode and upload their IED attacks to filesharing networks. China fights an losing battle to restrict the free flow of information – while its citizens buy more mobile phones, every year, than the total number ever purchased in the United States. Give individuals a network, and – sooner, rather than later – they’ll become broadcasters.

One final, and crucial technological element completes the transition into the era of demassification – the release of Microsoft’s Internet Explorer version 7.0. Long delayed, this most important of all web browsers finally includes support for RSS – the technology behind “feeds.” Suddenly, half a billion PC users can access the enormous wealth of individually-produced and individually-tailored news resources which have grown up over the last five years. But they can also create their own feeds, either by aggregating resources they’ve found elsewhere, or by creating new ones. The revolution that began with Gutenberg is now nearly complete; while the Web turned the network into a printing press, RSS gives us the ability to hyperdistribute publications so that anyone, anywhere, can reach everyone, everywhere.

Now all is dissolution. The mainstream media will remain potent for some time, centers for the creation of content, but they must now face the rise of the amateurs: a battle of hundreds versus billions. To compete, the media must atomize, delivering discrete chunks of content through every available feed. They will be forced to move from distribution to seduction: distribution has been democratized, so only the seduction of salience will carry their messages around the network. But the amateurs are already masters of this game, having grown up in an environment where salience forms the only selection pressure. This is the time of the amateur, and this is their chosen battlefield. The outcome is inevitable. Deck chairs, meet Titanic.

Herding Cats

Friday, October 20th, 2006

That which governs least governs best. – Thomas Paine
I.Nothing is perfect. Everything, this side of heaven, contains a flaw. The master rug makers of Persia go so far as to add a mistaken stitch into their carpets; perfection would be an insult to the greatness of God. For nearly everything else, and for nearly everyone else, we don’t have to worry about adding errors: we work from incomplete knowledge, we work from ignorance, and we work from prejudice. As Mark Twain noted, “It’s not what you don’t know that’ll hurt you, but what you know that ain’t so.” We believe we know so much; in truth we know nearly nothing at all. We have trouble discerning our own motivations – yet we constantly judge the motivations of others. Cognitive scientists have repeatedly demonstrated how we backfill our own memories to create a comfortable and pleasing narrative of our lives; this keeps us from drowning in despair, but it also allows us to be monsters who have no trouble sleeping soundly at night.

We constantly and impudently impugn the motives of others, carrying that attitude into the designs of systems which support community. We protect children from pedophiles; we protect ourselves from unsolicited emails; we protect communities from the excesses of emotion or behavior which – we believe – would rip them apart. Each of these filtering processes – many of them automated – serve to create a “safe space” for conversation and community. Yet community is at least as much about difference as it is about similarity. If every member of a community held to a unity of thought, no conversation would be possible; information – “the difference which makes a difference” – can only emerge from dissent. Any system which diminishes difference therefore necessarily diminishes the vitality of a community. Every act of communication within a community is both an promise of friendship and a cry to civil war. Every community sails between the Scylla and Charybdis of undifferentiated assent and complete fracture.

When people were bound by proximity – in their villages and towns – the pressure for the community to remain cohesive prevented most of the egregious separations from occurring, though periodically – and particularly since the Reformation – communities have split apart, divided on religious or ideological lines. In the post-Enlightenment era, with the opening of the Americas, divided communities could simply move away, and establishing their own particular Edens, though these too could fracture; schism follows schism in an echo of the Biblical story of the Confusion of Tongues. Rural communities could remain singular and united (at least, until they burst apart under the build up of pressures), but urban polities had to move in another direction: tolerance. Amsterdam and London flourished in the eighteenth century because of the dissenting voices they tolerated in their streets. It was either that, or, as both had learned – to their horror – endless civil wars. This essential idea of the Enlightenment – that men could keep their own counsel, so long as they respected the beliefs of others – fostered democracy, science, capitalism and elevated millions from misery and poverty. It is said that democratic nations never wage war against one another; while not entirely true, tolerance acts as a firewall against the most immediate passions of states. The alternative – repeated countless times throughout the 20th century – is a mountain of skulls.

Where people are connected electronically, freed both from the strictures of proximity and the organic and cultural bounds of propriety that accompany face-to-face interactions (it is much easier to be rude to someone that you’ve never met in the flesh) the natural tendency to schism is amplified. The checks against bad behavior lose their consequential quality. One can be rude, abrasive, even evil, because the mountain of skulls which pile up as the inevitable result of such psychopathology appear to lack the immediacy of a real, bleeding body. It has been argued that we need “to be excellent to each other,” or that we need to grow thicker skins. Both suggestions have some merit, but the truth lies somewhere in between.

II.

While USENET, the thirty year old, Internet-wide bulletin board system remains the archetype for online community – the place where the terms “flame”, “flame war” and “troll” originated in their current, electronic usages – USENET has been long since been obsolesced by a million dedicated websites. We can learn a lot about the pathology of online communities by studying USENET, but the most important lesson we can draw involves the original online schism. In 1987, John Gilmore – one of the founding engineers of SUN Microsystems – wanted to start a USENET list to discuss topics related to illegal psychoactive drugs. USENET users must approve all requests for new lists, and this highly polarizing topic, when put to a vote, was repeatedly rejected. Gilmore spent a few hours modifying the USENET code so that it could handle a new top-level hierarchy, “alt.*” This was designed to be the alternative to USENET, where anyone could start a list for any reason, anywhere. While many USENET sites tried to ban the alt. hierarchy from their servers, within a year’s time alt. became ubiquitously available. Everyone on USENET had a passion for some list which couldn’t be satisfied within its strict guidelines. To this day, the tightly moderated USENET and free-wheeling, often obscene, and frequently illegal alt. hierarchy coexist side-by-side. Each has reinforced the existence of the other.

Qualities of both USENET and the alt. hierarchy have been embodied in the peer-produced encyclopedia-about-everything, Wikipedia. Like the alt. hierarchy, anyone can create an entry on any subject, and anyone can edit any entry on any subject (with a few exceptions, discussed below). However, like USENET, there are Wikipedia moderators, who can choose to delete entries, or roll back the edits on entry, and who act as “governors” – in the sense that they direct activity, rather than ruling over it (this from the original Greek kybernetes, from which we get “cybernetics,” and meaning “steersman”). By any objective standard the system has worked remarkably well; Wikipedia now has nearly 1.5 million English-language articles, and continues growing at a nearly exponential rate. The strength of the moderation in Wikipedia is that it is nearly invisible; although articles do get deleted because they do not meet Wikipedia’s evolving standards (e.g., the first version of a biographical page about myself) it remains a triumph of tolerance, carefully maintaining a laissez-faire approach to the creation of content, applying a moderating influence only when the broad guidelines of Wikipedia (summed up in the maxim “don’t be a dick”) have been obviously violated. The community feels that it has complete control over the creation of content within Wikipedia, and this sense of investment – that Wikipedia truly is the product of the community’s own work – has made Wikipedia’s contributors its most earnest evangelists.

There is a price to be paid for this open-door policy: noise. Because Wikipedia is open to all, it can be vandalized, or filled with spurious information. While the moderators do their best to correct instances of vandalism, Wikipedia relies on the community to do this nitpicking work. (I have deleted vandalism on Wikipedia pages several times.) For the most part, it works well, though there are specific instances – such as on 31 July 2006, when Steven Colbert urged viewers of his television program to modify Wikipedia entries to promote his own “political” views – when it falls down utterly. Wikipedia can withstand the random assaults of individuals, but, in its present form, it can not hope to stand against thousands of individuals intent on changing its content in specific areas. Thus, in certain circumstances, Wikipedia moderators will “lock” certain entries, allowing them to be modified only by carefully designated individuals. Although Colbert meant his assault as a stunt, with no malicious intent, he pointed to the serious flaw of all open-door systems – they rely on the good faith of the vast majority of their users. If any polity decides to take action against Wikipedia, the system will suffer damage.

With a growing consciousness of the danger of open-door systems – and a sense that perhaps more moderation is better – Wikipedia cofounder Larry Sanger has launched his own competitor to Wikipedia, Citizendium. Starting with a “fork” of Wikipedia (that is, a selection of the entries thought “suitable” for inclusion in the new work), Citizendium will restrict posting in its entries to trusted experts in their fields. The goal is to create a higher-quality version of Wikipedia, with greater involvement from professional researchers and academics.

While a certain argument can be made that Wikipedia entries contain too much noise –many are poorly written, have no references, or even project a certain point-of-view – it remains to be seen if any differentiation between “professional” and “amateur” communities of knowledge production can be maintained in an era of hyperdistribution. If a film producer is now threatened by the rise of the amateur – that is, an enthusiast working outside the established systems of media distribution – won’t an academic (and by extension, any professional) also be under threat? The academy has always existed for two reasons: to expand knowledge, and to restrict it. Academic communities function under the same rules of all communities, the balancing act between uniformity and schism. The “standard bearers” in any community reify the orthodox tenets of any field, blocking the research of any outsiders whose work might threaten the functioning assumptions of the community. Yet, since T.S. Kuhn published The Structure of Scientific Revolutions we know that science progresses (in Max Planck’s apt phrasing) “funeral by funeral.” Experts tend to block progress in a field; by extension any encyclopedia which uses these same experts as the gatekeepers to knowledge aquisition will effectively hamstring itself from first principles. In the age of hyperintelligence, expertise has become a broadly accessible quality; it is not located in any particular community, but rather in individuals who may not be associated with any official institution. Noise is not the enemy; it is a sign of vitality, and something that we must come to accept as part of the price we pay for our newly-expanded capabilities. As Kevin Kelly eloquently expressed in Out of Control, “The perfect is the enemy of the good.” The question is not whether Wikipedia is perfect, but rather, is it good enough? If it is – and that much must be clear by now – then Citizendium, as an attempt to make perfect what is already good enough, must be doomed to failure, out of tune with the times, fighting the trend toward the era of the amateur.

As Citizendium flowers and fails over the next year, it will be interesting to note how its community practices change in response to an ever-more-dire situation. The pressures of the community will force Citizendium to become more Wikipedia-like in its submissions and review policies. At the same time, additional instances of organized vandalism (we’ve only just started to see these) will drive Wikipedia toward a more restrictive submissions and editing policy. Citizendium overshot the mark from the starting line, and will need to crawl back toward the open-door policy, yet, as it does, it risks alienating the same experts it’s designed to defend. Wikipedia, starting from a position of radical openness, has only restricted access in response to some real threat to its community. Citizendium is proactive and presumes too much; Wikipedia is reactive (and for this reason will occasionally suffer malicious damage) but only modifies its access policies when a clear threat to the stability of the community has been demonstrated. Wikipedia is an anarchic horde, moving by consensus, unlike Citizendium, which is a recapitulation of the top-down hierarchy of the academy. While some will no doubt treasure the heavy moderation of Citizendium, the vast majority will prefer the noise and vitality of Wikipedia. A heavy hand versus an invisible one; this is the central paradox of community.

III.

A well-run online community walks a narrow line between anarchy and authoritarianism. To encourage discussion and debate, a community must be encouraged to sit on a hand grenade that always threatens to explode, but never quite manages to go off. In general, it’s quite enough to put people into the same conversational space, and watch the sparks fly; stirring the pot is rarely necessary. Conversely, when the pot begins to boil over, someone has to be on hand to turn the heat down. Communities frequently manage this process on their own, with cool minds ready to reframe conversation in less inflammatory terms. This wisdom of communities is not innate; it is knowledge embodied within a community’s practices, something that each community must learn for itself. USENET lists, over the course of thirty years, have learned how to avoid the most obvious hot-button topics, and regular contributors to these lists have learned to filter out the outrageous flame-baiting of list trolls. But none of this community intelligence resides in a newly-founded community, so, in an absolute sense, the long-term health of any community depends strongly on the character and capabilities of its earliest members.

The founding members of a new community should not be arbitrarily selected; that would be gambling on the good behavior of individuals who, insofar as the community is concerned, have no track record. Instead, these founders need to be carefully vetted across two axes of significance: their ability to be provocative, and their capability to act like adults. These qualities usually don’t come as a neat package; any individual who has a surfeit of one is more than likely to be lacking in the other. However, once such “balanced” individuals have been identified and recruited, the community can begin its work.

After a time, the best of these individuals – whose qualities will become clear to the rest of the community – should be promoted to moderator status, assuming the Solomonic mantle as protectors and guardians of the community. This role is vital; a community should always know that they are functioning in a moderated environment, but this moderation should be so light-handed as to be nearly invisible. The presumption of observation encourages individuals to behave appropriately; the rare examples when a moderator is forced to act as a benevolent and trustworthy force for good should encourage imitation.

Hand-in-hand with the sense of confidence which comes from careful and gentle moderation, a community must feel empowered to create something that represents both their individual and collective abilities. The idea of “ownership,” when multiplied by a community-recognized sense of expertise, produces a strongly reinforcing behavior. Individuals who are able to share their expertise with a community – and help the community build its own expertise – will develop a very strong sense of loyalty to the community. Expertise can be demonstrated in the context of a bulletin board system, but these systems do not easily adapt themselves to the total history of interactions experts have within the community. A posting made today is lost in six months’ time; a Wiki is forever. Thus, in addition to conversation – and growing naturally from it – the community should have the tools at its disposal to translate its conversation into something more permanent. Community members will quickly recognize those within its ranks who have the authority of expertise on any given subject, and they should be gently guided into making a record of that expertise. As that record builds, it develops a value of its own, beyond its immense value as a repository of expertise; it becomes the living embodiment of an individual’s dedication to the community. Over time, community members will come to see themselves as the true “content” of the community, both through their participation in the endless conversation of the community, and as the co-creators of the community’s collective intelligence.

This model has worked successfully for over a decade in some of the more notable electronic communities – particularly in the open-source software movement. The various communities around GNU/Linux, PHP and Python have all demonstrated that any community with room enough to pool the expertise of large numbers of dedicated individuals will build something of lasting value, and bring broad renown to its key contributors, moderators, and enthusiasts.

However, even in the most effective communities, schism remains the inevitable human tendency, and some conflicts can not always be resolved, drawn from deep-seated philosophical or temperamental differences. Schism should not be embraced arbitrarily, but neither should it be avoided at all costs. Instead – as in the case of the alt. hierarchy – room should be made to accommodate the natural tendency to differentiate. Wikipedia will eventually fork into a hundred major variants, of which Citizendium is but the first. The LINUX world has been divided into different distributions since its earliest years. Schism is a sign of life, indicating that there is something important enough to fight over. Schisms either resolve in an ecumenical unity, or persist and continue to divide; neither outcome is inherently preferable.

Every living thing struggles between static order and chaotic dissolution; it isn’t perfect, but then, nothing ever is. Even as we feel ourselves drawn to one extreme or another, wisdom wrought from experience (often painfully gained) checks our progress, and guides us forward, delicately, into something that is, in the best of worlds, utterly unexpected. The potential for novelty in any community is enormous; releasing that potential requires flexibility, balance, and presence. There are no promises of success. Like a newborn child, a new community is all potential – unbounded, unbridled, standing at the cusp of a unique wonder. We can set its feet on the path of wisdom; what comes after is unknowable, and, for this reason, impossibly potent.

hypercasting

Monday, October 16th, 2006

I. The Story So Far

Everything is changing. Everything has changed. Everything always changes, but at times that change is particularly pronounced and thus specifically noteworthy. For media – which is the topic du jour – this is so plainly obvious that any attempt to refer to the “before” time has an almost archeological feel, as though we must shovel carefully through layers of dirt to uncover how media worked just a few year ago. These transformations have been seismic, and singular. There is no going back.

But what, exactly, has happened?

The revolution we glimpsed in 1994, when the rough beast of the Web, its hour come at last, made the earth tremble, seducing and subsuming us into its ever-broadening expanse, fell back, for a brief while, into patterns more established and more familiar. We glimpsed a utopia; then a fog rose, and the vision faded. We endured half a decade of stupidity, cupidity and the slow strangulation of dreams. We longed for communion; we got DVD players delivered in under an hour. Fortunately, the network accelerates everything it embraces, and what might have taken a generation in earlier times took just five years to run its course, from Netscape to Razorfish, and the lunar crater of NASDAQ seemed to spell the final doom of all our hopes. The Web, people loudly proclaimed, was so over.

Silly humans.

During those first five years, we learned just how different network economics could be; not just in theory, but in practice. We learned that the essence of the digital artifact is that it exists to be copied. Like a gene in the Cambrian seas of the early Web, information was copied and recopied endlessly. John Perry Barlow’s Declaration of the Independence of Cyberspace was one of the first such objects, spread via email and website until it became nearly impossible to ignore. More recently, Cory Doctorow’s lecture on DRM for Microsoft Research – in text, Pig Latin and video versions – has been passed around like a cheap two-dollar…well, you know. Each of these digital artifacts eventually reached nearly every single individual who might find them interesting, because, as they were copied and read, forwarded and linked to, each of the human nodes in this network made a decision that this information was important enough to share. In the networked era, salience is the only significant quality of information. For that reason, it was only a matter of time until the technologies of the network would reinforce this natural tendency, and accelerate it.

So even as the Web died, it was reborn. The top-down design of a hundred centralized sources of information evolved into seven hundred million peers. From each according to their ability, to each according to their need. Feeds replaced websites, and torrents replaced streams. The revolution we had fleetingly glimpsed had finally – blessedly – arrived.

But one man’s blessing is another’s curse.

The network revolution presented incredible opportunities to anyone working in the media industries. Suddenly, it became possible to reach massive audiences, unbounded by proximity. But instead of reinforcing the previous structures of media ownership and information distribution, the network has consistently undermined them. Mention Craigslist to a newspaperman, and watch as the color drains from their face. Casually drop BitTorrent into a conversation with a studio executive, and observe as they choke back their rage. The network carries within it the seeds of their destruction. And they’re absolutely, utterly, completely powerless to stop it.

This would be a sad story if professional media had not willingly cooperated in their own demise. The technologies of the digital era were simply too tempting to be ignored, too important to the bottom line. But the network has its own economics, and quickly overcomes or blithely ignores any attempt to subvert its innate qualities. Film studios make the majority of revenues from DVD distribution of their productions, but that same DVD, because of its essentially digital nature, can be copied and recopied endlessly, at no cost. If it is salient, it will be copied widely. That’s not just a horror story: that’s the law.

And if you don’t want your film copied? Well then, you have to resort to antique production technique. Make sure it’s shot to film stock, physically edited (good luck finding an editor who prefers a Steenbeck to an Avid) and graded – with no digital intermediates – then projected in an exhibition space where every audience member has been subjected to a humiliating physical search of their bodies. If you did that, you’d kill piracy. Probably. Of course, you’d also kill your exhibition revenues. But the studios (and the record companies, and the broadcasters, and the book publishers) want to have it both ways, want the benefits of digital distribution, all the while denying the essential quality of the medium – it exists to be copied.

But all of this noise about the approaching end of copyright obscures a more salient point: the barriers of distribution have utterly collapsed. Anyone can send anything to everyone, everywhere, at little or no cost. The tribulations of the largest of the professional media producers are simply the canary in the coal mine; they’re the most sensitive to the economics of a distribution system that has kept them alive and well-fed for a hundred years. Now that those economics have irrevocably changed, the entire business of professional media production is threatened.

II. Stupid is the New Black

Behold: I bring tidings of the second dot-com boom. Stupid is back!

That, at least, is the message from a hundred insta-pundits, on the business pages of newspapers, in blogs, and countless analysts’ reports. The entire world seemed shocked by the entirely expected purchase of video-sharing site YouTube by Google for 1.65 billion dollars. It’s a bad deal, some say, doomed to fail. It isn’t worth it. It’ll bring Google crashing back to earth with endless litigation from the copyright holders who have just been waiting for someone with deep enough pockets to sue.

Feh.

What most everyone overlooked – as it happened the very same day as the Google purchase – were the licensing agreements YouTube struck with Universal, Sony BMG, and CBS. Together with their earlier deal with Warner, YouTube now has a deal with every major music publisher in the world. YouTube will now figure out how to share the revenues it will be generating with Google’s advertising technology with all of the copyright holders whose materials end up on YouTube.

Some pundits – most notably, Mark Cuban – have indicated that only a moron would buy YouTube, because it’s widely believed that YouTube has built its business entirely upon the violation of copyright. Certainly, YouTube established its reputation with a specific piece of video owned by someone else – a digital short from NBC’s Saturday Night Live, “Chronic Sunday.” That video – viewed millions of times before NBC rattled its legal saber and the content was removed – introduced most users to YouTube. In the year since “Chronic Sunday,” YouTube has become a clearing house for the funniest bits of video content produced by other companies, from segments of The Daily Show with Jon Stewart, to South Park, to Family Guy to The Simpsons. Why has YouTube become the redistributors of these clips? Because none of the copyright holders made an effort to distribute these clips themselves. YouTube has been acting as an arbitrageur of media, equalizing an inequity in the market place – and getting very rich in the process. It may be copyright violation, but the power of the audience is far, far greater than the power of the copyright holder. YouTube could delete every clip uploaded in violation of copyright – to some degree they do – but if you have a few thousand people uploading the same clip, how do you stay ahead of that? Even YouTube itself is subject to the power of its audience. And if they become draconian in their enforcement of copyright – which is a possible outcome of the Google purchase – they will simply force the audience elsewhere, to other sites. Better by far to strike a deal with the copyright holders, so that they receive recompense for their efforts. NBC has started to distribute Saturday Night Live’s digital shorts on its own website; ABC and FOX offer full streaming versions of their programs; everyone is queuing up to sell their TV shows on iTunes. Is this a willing transition? Probably not. Minutes spent in front of the computer are minutes lost to television ratings. But if the copyright holders don’t distribute their content as widely as possible, someone else will. YouTube has proven this point beyond all argument.

Cuban believes that YouTube will die without a steady stream of content uploaded in violation of copyright. But if recent history is any guide, the studios are now falling over each other in their eagerness to do a deal, and share some of that money. The simultaneity of the Google purchase and the YouTube deals with the recording industry are not accidental; they’re indicative of a great sea-change. Big media has swallowed the bitter pill, and realized that they’ve lost control of distribution. Now they’ll try to make money off of it.

But Cuban makes another, and more damning point: he says that no one wants to watch the little hand-made videos which make up the vast majority of uploads to YouTube. This is the Big Lie of Big Media: if it isn’t professionally produced, the audience won’t watch it. No statement could be more mendacious, no assertion could be further from the truth. As a film producer and broadcaster, Cuban certainly hopes that audiences will always prefer professional content to amateur productions, but there’s no evidence to support this position – and rather a lot which counters it. The success of Red versus Blue, Homestar Runner, Happy Tree Friends, and The Show with Zefrank – each of which command audiences in the hundreds of thousands to millions – prove that audiences will find the content which interests them, and share that content with their friends, using the hyperdistribution techniques enabled by the network that ensure these audiences can get what they want – from anyone, anywhere, at any time – with a minimum of difficulty. These productions lie completely outside the bounds of “professional” media; they are “amateur,” not in the sense of raw, or poorly produced, but because they have turned their back on the antique systems of distribution which previously separated the big boys from the wannabes.

A perfect example of this transition can be seen in a video on YouTube by the Australian band Sick Puppies. Shot by the band’s drummer, it features a well-known character, Juan Mann, who inhabits Sydney’s Pitt Street mall, bearing a sign reading “Free Hugs.” The band befriended this unlikely character, and shot hours of video of him at work, giving free hugs to passers-by. While in Los Angeles, pursuing a recording deal, the drummer cut his footage into a three minute film, then added one the band’s song “All The Same” as a temp track. Thinking to share his work around, he uploaded the video to YouTube on the 26th of September, and told his friends. Who told their friends. Who told their friends. YouTube is particularly good at “viral” distribution of media – it’s the one thing they’ve gotten absolutely right – so, within three week’s time, that little hand-made video had been viewed well over three million times. Sick Puppies are now on the map; their music video has given them a worldwide fan base. A debut album on a major label – expected early next year – will complete their transformation from amateurs to professionals.

Salience determines whether an audience will gather around and share media, not production values. In the time before hyperdistribution, audiences had a severely limited pool of choices, all of them professionally produced; now the gates have come down, and audiences are free to make their own choices. When placed head-to-head, can a professional production of modest salience stand up against an amateur production of great salience? Absolutely not. The audience will always select the production which speaks to them most directly. Media is a form of language, and we always favor our mother tongue.

The future for YouTube lies with the amateurs, not with the professionals. Cuban misses the point entirely, assuming that the audience will behave as it always has. But this is not that audience; this is an audience which has essentially infinite choice, and has come to understand that the sharing of media is an act of production in itself – that we are all our own broadcasters.

And you’d have to be a moron to miss that.

III. The Epidemiology of Cool

We know why YouTube has had such an incredible string of successes; the site makes it easy to share a video with your friends, and for those friends to share that videos with their friends, and so on. The marketers call this “viral distribution,” but we know it by another and rather more prosaic name – friendship. As an inherently social species, we are constantly reinforcing the our social connections through communication. It could be an IM, a text message, an email, a phone call, or a video – it’s all the same to the enormous section of our forebrains that we use to process the intricacies of our social relationships. We share these things to tell our friends that we’re thinking of them – and, rather more competitively, to show our friends that we’re on the tip. Each of us are coolfinders (some of us do it professionally), and we each keep a little internal thermometer which measures our own cool against that of our peers. That innate drive to be recognized for our tastes has been accelerated to the speed of light by the network. Now, even as we coolfind, we are constantly inundated and challenged by the coolfinding of our peers. It’s produced a very healthy, if ultra-Darwinian, ecology of cool. Our peers are the selection pressure as we struggle to pass our memes on to the next generation.

Thus far, we’ve done this on our own, with very little assistance from the wealth of computing machinery which crowds our lives. We create ad-hoc solutions for media distribution: mailing lists, websites, podcasts – each of these an attempt to spread our ideas more successfully. But they’re held together tenuously, only by our constant activity, busy bees maintaining the cells of our hive. And it’s a lot of work. We’re forced to do it – forced to run the race, lest we be overrun by the memes of others – but we’ve reached the one practical limit: time. No one has enough time in the day to keep up with all of the information we should be absorbing. We can filter ruthlessly – and perhaps miss out on something we’ll regret later – or declare email bankruptcy, like Lawrence Lessig, or just withdraw to an ever-more-specialized domain of coolfinding. And we are doing each of these things, every day, under the pressure of all this information.

There’s got to be a better way.

In the early years of the 19th century, farmers in western Pennsylvania kept their wagon wheels greased with puddles of bubbling muck that studded the countryside. Although useful, the puddles were a toxic nuisance to livestock. If the farmers could have rid their lands of these puddles, they likely would have. A half a century later, western Pennsylvania became a boomtown, built on its substantial petroleum reserves. The bubbling muck had immense value – but it had to wait for the demands of the kerosene lamp and the internal combustion engine.

In the early years of the 21st century, we each generate an enormous amount of interaction data – every click on a computer, every email sent or received, every website visited, every text message, every phone call, every swipe of a credit card or loyalty card or debit card, every face-to-face interaction. None of it is recorded – or at least, it’s not recorded by any of us, for any of us (though the NSA has expressed some interest in it) – because it hasn’t been seen as valuable. It’s bubbling up through all of us, and around all of us, as we create data shadows that have grown longer and longer, resembling Jacob Marley’s lockboxes and chains, rattling throughout cyberspace.

All of that information is worth more than oil, more than gold. And all of it is sadly – almost obscenely – dropped on the floor as soon as it is created. If we’re lucky, it is deleted. If we’re unlucky, someone uses it to create a digital simulacrum, and we find our identities hijacked. But in no case is this information ever exposed to us, for our own use. We’re told it has no value to us, and – so far – we’ve been stupid enough to believe it.

But now, just now, economic forces are linking the persistence of our data shadows to our ability to filter the avalanche of information which characterizes life in the 21st century. Turns out this data guck is good for more than greasing the wheels of commerce. These data shadow glow with the evanescent echo of our real social networks – not the baby steps of MySpace and Friendster – but the real ground-truth interactions which reveal ourselves and our relations one to another. It is human metadata. And it is the most valuable thing we’ve got, now that there’s demand for it.

YouTube records every email address you use to forward a video to a friend. It uses these, at present, to do auto-completion of addresses as you type them in. It also presents a friendly list of these addresses, to make forwarding all that much easier. What they’re not doing – at least, not visibly, and very likely not at all – is keeping any record of what I sent to whom, nor when, nor why. Yet every video forwarded through YouTube is forwarded for a reason – salience. YouTube could record those moments of salience, could use them to build a model, a data shadow, which could reinforce your own ability to make decisions about who should see what. It might even, to some degree, automate that process. When you add to this the newly emerging capabilities of analytic folksonomy – comparing a user’s tag clouds against the tag clouds of others within their social network – certain other relationships and affinities emerge. Again, these relationships can be used to improve the capability of the system to help find, filter and forward relevant videos. This is how a social network really works. It’s not about having 500 first-degree friends in MySpace. It’s about listening to your naturally occurring social network to direct, improve, and accelerate information flow. When the brand-new power of the individual as broadcaster is reified by the capabilities of computing machinery to listen to and model our interactions, the result is hypercasting. This is what media distribution in the 21st century is inevitably hurtling toward, driven by the natural selection of steadily increasing informational pressure.

Hypercasting solves some lingering questions confronting us. The first and most important of these is: How will we figure out what to watch now that we’ve got a near-to-infinite set of choices? We’ll rely on the recommendation of our friends, as we always have, but now these recommendations will be backed up by a hypercasting system which will invisibly and pervasively keep track our interests, the points of interest we hold in common with our friends, our communities, our families, and our co-workers. It will not be automatic – no one really wants to see some out-of-control hypercasting system deluge us with video spam – but it will be so tightly integrated into our interactive experiences that it will barely register on our perceptions. We’ll simply come to expect that our iPods, our Media Centers, our PSPs and our mobiles are loaded up and ready for us, with things we’re sure to find compelling. Addiction to television will soar to new highs, a new crop of amateurs – millions of them – will find successful and lucrative careers in media production, and advertisers, as always, will find a way to spread their messages. On the surface, things will look much as they do now, but everything will move at a more rapid clip. Videos will fly across the world in seconds, not days, and a global audience of a million will gather in moments. Almost accidentally, this will change news reporting forever, as citizen journalism becomes a real threat to established media companies, and their utter undoing. Shouldn’t the New York Times be subject to the same pressures as NEWS Corporation?

Is YouTube the harbinger of the transition to hypercasting? The lead is theirs to lose. GooTube delivers over half of all videos seen on the Internet. They have the cash and the brainpower to transform broadcasting into hypercasting. And they have to worry about the next set of 20-somethings, in a garage, working on the Next Big Thing. Those kids, nurtured by YouTube, know just what’s wrong with it, and how to make it better. YouTube faces its own selection pressures, which will only increase as it grows exponentially and cuts content deals and just tries to keep the whole centralized mess up and running.

Yet it doesn’t matter. We have seen birth and death, and thought they were different. But the death of the Web brought a new kind of life, a vitality and surefootedness suppressed during the years of MBAs and crazy business plans and IPOs. Perhaps history is repeating itself, as everyone goes wild with another case of gold fever, and we’ll lose the plot again. In that case, we should be glad of another death.

Hypercasting might need to wait a few years, for a platform very much like a fully mature Democracy DTV – or something we haven’t even dreamt up. It may be that YouTube will disappoint. But that doesn’t mean anything at all. YouTube isn’t driving the evolution toward hypercasting. The audience is. And the audience – in its teeming, active, probing billions – always gets whatever it wants. That’s the first rule of show business.

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